Gene Roland played many musical instruments during his profession but was most crucial seeing that an arranger/composer as well as for his association with Stan Kenton. Roland, who obtained a qualification in music from North Tx State Teacher’s University, first installed with Kenton in 1944, playing 5th trumpet and adding arrangements. He proved helpful briefly with Lionel Hampton and Lucky Millinder and rejoined Kenton in 1945, this time around being a trombonist and article writer (he organized the strike “Tampico”). He performed piano and had written for an organization in 1946 that included Stan Getz, Zoot Sims, Jimmy Giuffre and Herbie Steward and would result in Woody Herman’s Four Brothers Second Herd. In the past due 1940s, Roland performed trombone with Georgie Auld, trumpet with Count number Basie, Charlie Barnet and Millinder and added charts for the best rings of Claude Thornhill and Artie Shaw. After leading a huge rehearsal music group in 1950 that included Dizzy Gillespie and Charlie Parker, Roland had written for Kenton 1951 and Woody Herman from 1956-58, for whom he added 65 preparations. Roland was a significant power in Kenton’s mellophonium music group of the first 1960s, not merely composing for the ensemble but executing among the mellophoniums; he also sometimes doubled on soprano sax using the orchestra. Roland continued to be active being a article writer in the 1960s and 70s, dealing with the Radiohus Orchestra in Copenhagen (1967) and adding graphs to Kenton; he also performed trumpet, piano and tenor along with his very own groups. Furthermore to writing a whole record for Kenton, Roland led his 1950 rehearsal music group on the Spotlite discharge (Parker is one of is own sidemen), led fifty percent of an record (documented in 1957 and 1959) for Dawn where he has trumpet and organized a 1963 octet record for Brunswick. Roland was an unusually flexible and talented jazz performer whose function has a right to be rediscovered.