Geirr Tveitt

Folk music and the conscious software of areas of folk music — music, gestures, sonorities — to serious concert music, was extremely popular through the early twentieth hundred years and it looks like every main country or cultural group had it is native champ or champions. Hungary acquired Béla Bartók and Zoltán Kodály; america acquired Charles Ives; and Norway acquired a man called Geirr Tveitt, a composer, pianist, instructor, and folk music collector who hardly ever earned anything just like the popularity awarded those various other “folkish” composers but that has, in the years since his loss of life in 1981, been looked into by Norse music fans and scholars with ever-increasing curiosity. Efforts to color an obvious and accurate picture from the man’s lifestyle and work have got proven difficult, nevertheless: A fireplace ravaged his house in 1970, producing ash of all of his compositions and folk music selections. Tveitt was created in Oct 1908 and was raised, generally, around Norway referred to as Hardanger. The piano as well as the violin had been familiar to him from early child years on, however when he visited the Leipzig Conservatory or formal schooling (1928 – 1932) it had been composition which he concentrated. After halts in Vienna (the Vienna Condition Academy) and Paris, where from 1932 to 1935 he required personal lessons from Villa-Lobos and Honegger, he came back to Norway and backed himself composing criticism in Oslo and teaching privately. In 1941, he was granted a Norwegian condition pension and in 1942, he used home in the Tveitt family members plantation in Hardanger, devoting himself primarily to composition also to the collection and transcription from the region’s folk music. His life’s sailing had not been always easy, though: A scandal relating to the Nazi’s through the German profession of Norway in Globe War II led to Tveitt having his condition pension extracted from him (it had been reinstated in the past due ’50s) and many thousand web pages of function — like the almost all 300 original functions and reams of notated folk music unavailable except through Tveitt’s transcriptions — had been lost towards the above-mentioned 1970 fireplace. Every once in awhile, Tveitt appeared being a executing pianist in his very own functions. Tveitt’s personal musical design draws heavily in the folk music with which he was therefore familiar, as very much or more therefore even than will Bartók’s. In 1937, he authored a theoretical treatise, Tonalitätstheorie des parallelen teittonsystems (Theory of parallel modal systems), wanting to support his own private conclusion the fact that modal scale program (the so-called cathedral modes) utilized to various levels and in a variety of ways through the entire history of Traditional western music are in fact based on historic Norwegian folk scales. His conclusions possess generally been ignored, however the treatise still presents a great home window through which to higher observe the strategies and types of his very own music-making. His result was prolific, including some 29 piano sonatas, five operas, a half-dozen piano concertos, a violin concerto, many suites for orchestra, miscellaneous chamber music, and functions for many other single musical instruments, including harp and saxophone. Gleam huge body of pseudo-folk vocal music. His best-known functions are the ones that rely most on folk music: A HUNDRED Folk Music (1954 – 1963), some orchestral suites; and a quantity, popular in Norway, known as 100 Hardanger Music.