b. 26 January 1955, London, Britain. Given birth to in London of Jamaican parents, and nephew from the unjustly-neglected guitarist Ernest Ranglin, Crosby was (plus a few others, just like the good tenor saxophonist Ray Carless) among the pioneer dark British jazz skills, making his status before the picture blossomed so significantly in the middle-80s. He started to research trumpet at age 13, although he previously performed around on several other instruments in the home. He required trumpet lessons at a community center in Fulham for two years, but consequently turned to bass, learning with Peter Ind between your age groups of 19 and 23. His 1st gig was with Ed Bentley alongside Carless. Down the road, he was a genuine person in the Jazz Warriors. Then established several his own made to provide young music artists space for any couple of years to allow them to develop themselves, hit from their own and become replaced by additional young music artists, generally from your Jazz Warriors group. The band performed regular classes at London’s Jazz Café. Crosby’s perhaps most obviously group, Jazz Jamaica, was created in 1991. Influenced from the rhythms of traditional Jamaican music as well as the mainly improvisational character of jazz, Crosby enrolled several talented young music artists from your jazz and reggae circuits to try out his skazz (ska/jazz) music. The group offers remained an extremely popular live appeal into the fresh millennium, furthermore to recording several well-received albums, latterly on Crosby and partner Janine Irons’ Dune label. Like the majority of bass players Crosby gets much less from the limelight compared to the saxophonists, pianists and drummers, and certainly much less than his skill deserves. A fantastic, thoroughly reliable bass participant, he spent some time working with, amongst numerous others, Steve Williamson and John Stevens.