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Author of several strikes from the Golden Period of Brazilian music, Gade was recorded by a number of the very best names of this period. With Valfrido Silva, he had written many tracks in the samba-choro design, becoming recognized for public fascination with the design. In 1923 Gade had been an excellent piano player. The next yr he was utilized by the Brazilian Lloyd as an orchestral pianist, functioning extensively in cruise lines. In 1926 he still left Lloyd and proved helpful for the Rádio businesses Sociedade perform Rio de Janeiro, Ipanema, Clube, Mayrink Veiga, Tupi, Nacional, and Inconfidência Mineira. In 1932, Francisco Alves documented “Vai Cavar a Nota” (with Valfrido Silva). The next calendar year Jaime Vogeler documented “Escuta Aqui” (with Valfrido Silva). Among his music (most of them with Valfrido Silva) some should have special mention, like the pursuing: in 1935, Joel e Gaúcho documented “Estão Batendo,” and Almirante documented “Vou Me Casar no Uruguai” and “Que Barulho é Esse?” In 1936, Aurora Miranda documented “Fiz Castelos de Amor,” Almirante documented “Amor em Excesso” (the first samba-choro strike from the duo), Odete Amaral documented “Quem é Que Paga a Gasolina?,” and Carmen Miranda documented “Roseira Branca,” “Polichinelo,” and “Honrando um Nome de Mulher.” Gade also documented a solo record through Musidisc, Gafieira, with Valfrido Silva (drums).

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