Although he was hardly ever a significant soloist, Fud Livingston participated in a few classic saving sessions in the past due ’20s. He performed accordion and piano as a kid before switching to saxophone. Through the summer season of 1923 Livingston caused Talmadge Henry in Greensboro, SC. Within the middle- to past due ’20s, he was with Ben Pollack, after that left to become listed on the California Ramblers and got stints with Jean Goldkette, Pollack once again (1926-1927), Nat Shilkret, Don Voorhees, and Jan Garber. Like a freelancer, Livingston made an appearance on many recordings including with Joe Venuti, Crimson Nichols, and Miff Mole. He had written borderline avant-garde preparations, including “Humpty Dumpty” for Frankie Trumbauer and Bix Beiderbecke, and performed solos on information (although he tended to become overshadowed). In 1929 he used Fred Elizalde in London for a couple months, freelanced back New York, and became a member of up with Paul Whiteman. By 1930, Livingston’s playing got a backseat to his organizing, and he added charts towards the orchestras of Paul Whiteman (1930-1933), Benny Goodman (1934), among others. Livingston performed reeds with Jimmy Dorsey (1935-1937) before mainly retiring from playing. He added preparations to Bob Zurke’s Orchestra as well as for Pinky Tomlin in 1940. Livingston, who under no circumstances led his personal recording date, get involved in music posting during his last 15 years, although he sometimes worked like a pianist in NY during his last years, slaving away in obscurity.