Frédéric Roverselli

Like a performer, Frédéric Roverselli surfaced in the past due ’90s as the bassist of Montreal avant-prog group Papa Boa. But he was soon referred to as a author of electro-acoustic music. Because the early ’90s, he functions as a audio designer on corporate and business and artistic tasks with a concentrate on fresh audio-visual digital systems. Roverselli analyzed music in university and electro-acoustic structure in the undergraduate level in the Université de Montréal from 1988 to 1991. Through the second fifty percent from the 1980s, he was energetic as bassist in several local rock rings, including Tennis shoes and Hollywood Mufflers; the latter also presented youthful drummer André “Dédé” Fortin who later on created Les Colocs, among Quebec’s leading sets of the 1990s. But, as he completed his undergraduate research, Roverselli’s passions shifted from overall performance to sound art. As well as guitarist Bernard Falaise and drummer Rémi Leclerc he created Papa Boa in 1991, 1st regarded as a studio room lab group. He published several electro-acoustic items in the first ’90s, a few of that have been performed and a few included on compilation CDs. He also required component in the Orchestre-Vélo, an electro-acoustic ensemble/set up involving bicycles built with noise-makers and loudspeakers. But he quickly withdrew from academia and started documenting soundtracks and sound style for TV places, corporate video clips, film documentaries, and video gaming. In 1995, he produced Espace Meta, an interactive CD-ROM on metropolitan audio environment. With Papa Boa, Roverselli devised music for interactive functions and explored the usage of documented improvisations in studio room compositions, but by 1999 the group experienced become a carrying out unit having a repertoire and an recording, Tête ? Queue, released on Ambiances Magnétiques. This go back to live function prompted him to create songs he begun to perform single in 2001 beneath the moniker Frek.