Guitarist and songwriter Freddy Weller had an effective behind-the-scenes profession in pop/rock and roll before finding single success like a nation vocalist. Given birth to Wilton Frederick Weller in Atlanta in 1947, he began playing both banjo and mandolin at age group eight and quickly shifted to your guitar aswell. During his teenager years, Weller performed frequently on the neighborhood radio display Georgia Jubilee, where he distributed time with famous brands Jerry Reed, Joe South, and Billy Joe Royal. He quickly became a normal program guitarist in the region, especially playing on Royal’s 1965 strike “Down within the Boondocks”; during Royal’s touring music group, Weller fulfilled Paul Revere & the Raiders, who provided him their business lead guitar slot machine in 1967. Weller spent another four years as an associate from the Raiders, and in 1969 he caused pop vocalist Tommy Roe inside a songwriting capability, co-writing the smash strikes “Dizzy” and “Jam Up Jelly Tight.” Later on that 12 months, Raiders frontman Tag Lindsay provided Weller the opportunity to go back to his 1st love, nation music, once the group canceled a documenting session. Weller required the studio period rather, and his edition of Joe South’s “Video games People Play” visited number 2 on the united states charts that 12 months; furthermore, the follow-up solitary, South’s “THEY ARE Not really My People,” reached quantity five. Weller departed the Raiders to spotlight his solo profession in 1971, exactly the same 12 months he obtained three straight Best Five strikes on the united states graphs with “Another Nights Like,” “Indian Lake,” and “The Guaranteed Property.” Weller reached the united states Top 20 3 x over 1972-1973 with tunes he either published or co-wrote: “The Roadmaster,” “She Enjoys Me (Best From My Mind),” and “AN IDEAL Stranger.” He also penned Bob Luman’s nation smash “Lonesome Women Make Great Lovers” in 1972, and it had been later protected for another strike by Steve Wariner. Weller’s last Top Ten strike was a 1973 cover of Chuck Berry’s “AN EXCESSIVE AMOUNT OF Monkey Business,” and he reached the very best 20 twice even more in 1974 with “I’ve Simply Got to Understand (How Loving YOU’D BE)” and “YOU ARE NOT GROWING OLDER (YOU ARE GETTING Better).” In 1975, he still left Columbia to record an record for ABC/Dot but eventually came back to Columbia and continuing to record on their behalf through the first ’80s. He couldn’t duplicate his previous run of industrial success being a vocalist but held up his songwriting; whenever a few small-label initiatives within the ’80s didn’t attract much interest, he supplied materials to superstars like Reba McEntire (“They Asked About You”), John Michael Montgomery (“She Don’t Require a Music group to Dance”), and George Jones (“What I REALLY DO Best”), amongst others.
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|Movin' on Up||2011||TV Movie writer: "Dizzy"|
|The Wrecking Crew!||2008||Documentary writer: "Dizzy"|
|America the Beautiful||2007||Documentary writer: "Dizzy"|
|Love and Other Disasters||2006||as Weller, "Dizzy"|
|Alien Autopsy||2006||writer: "Dizzy"|
|We Could Be Kings||2005||Video writer: "Dizzy" - uncredited|
|The Sandlot 2||2005||Video writer: "Dizzy"|
|90's Rockers||2004||Video writer: "Dizzy" - as Weller|
|The New Guy||2002||writer: "So Dizzy"|
|EastEnders||1991||TV Series writer - 1 episode|
|Rain Man||1988||writer: "Lonely Women Make Good Lovers" 1973|
|DTV: Pop & Rock||1984||Video writer: "Dizzy"|
|Drive-In||1976||performer: "Salty Dog Blues"|
|Music Scene||1969||TV Series writer - 1 episode|
|The Wrecking Crew!||2008||Documentary thanks|
|Nashville on the Road||1977-1980||TV Series||Himself - Guest / Himself|
|Fantasy Island||1979||TV Series||Himself|
|Pop! Goes the Country||1977||TV Series||Himself|
|Hee Haw||1975||TV Series||Himself|
|Music Country U.S.A.||1974||TV Series||Himself|
|The Barbara McNair Show||1969||TV Series||Himself|
|It's Happening||1968||TV Series||Himself|
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