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Fred Foster


Music business owner Fred Foster contributed too much to Nashville country-pop from the 1960s and ’70s being a manufacturer and as your head of one from the city’s strongest separate labels, Monument. He’s most widely known for making a lot of the biggest and greatest classic strikes by Roy Orbison, whom Foster created for the very first half of the ’60s. He also performed a vital part within the profession of Kris Kristofferson, and caused Willie Nelson, Dolly Parton, Ray Stevens, among others. Foster moved into the music business in retail, distribution, and advertising, including a stint on your behalf for ABC-Paramount. In 1958, while doing work for a distributor in Baltimore, he concurrently began Monument Information as well as the posting business Combine Music. After having some achievement with information by Billy Grammer, Billy Graves, Dick Overflow, Jerry Byrd, and Bob Moore, Foster shifted Monument to Nashville in 1959. The next year, he started creating Roy Orbison for Monument, getting Orbison’s 1st big strike, “Just the Unhappy.” From 1960 to 1964, Foster created the overwhelming almost all the hit tracks with which Orbison can be connected: “Just the Unhappy,” “In Dreams,” “Operating Frightened,” “Blue Bayou,” “Blue Angel,” “Fantasy Baby,” “Crying,” “Candy Man,” “Mean Female Blues,” “It’s Over,” and “Oh, Fairly Woman.” Needless to say the main element in the strikes’ achievement was Orbison, who got an excellent operatic tone of voice and combined nation, pop, and rock and roll masterfully, on both tracks he had written and tracks by additional composers. Like a maker, Foster was also instrumental towards the information’ brilliance, frequently attracting symphonic orchestration and heavenly choral back-up vocalists. Like Jerry Leiber and Mike Stoller for the Drifters’ strikes and Phil Spector along with his Wall structure of Audio, Foster thus extended rock and roll & roll’s sonic range to add a wider selection of instrumentation, although he’s not credited almost normally as those additional pioneers are. Additionally, Foster and Orbison understood when a music did not want such embellishments, and may work with regular rock instrumentation, especially on his bluesier materials, such as for example “Mean Female Blues,” “Oh, Pretty Girl,” and “Chocolate Guy.” Foster was even more available to using growing session music artists than a great many other Nashville suppliers had been, giving such observed players as guitarist Jerry Kennedy and Charlie McCoy early knowledge, which made Monument’s schedules even more interesting and mixed than a lot of the other periods in Nashville during this time period. Foster dropped Orbison within the middle-’60s to MGM Information. Although Foster was ready to try to match the amount of money MGM was supplying, he couldn’t match the film agreement MGM was also supplying the vocalist. Orbison’s profession immediately went right into a industrial tailspin when he started documenting for MGM in 1965, and even though his early MGM produces really don’t audio too not the same as those he do for Monument, it really is unquestionable that he was under no circumstances in a position to recapture the quality of his Monument function. Apart from Orbison, Monument in fact didn’t record much rock and roll. Foster and Monument’s sensibilities appeared much more such as country-pop, instead of rock-country-pop, as Orbison’s result may have been grouped. Still, with Monument, Foster caused various main and notable minimal country-pop figures through the entire ’60s and ’70s, including for different intervals Dolly Parton, Tony Joe Light, and Willie Nelson. Foster was even more sympathetic than most Nashville statistics had been to relatively unconventional vocalist/songwriters, if they had been Light, Nelson, Parton, or even more cultish statistics like Chris Gantry. He motivated Ray Stevens, most known for his comic novelties, to also do significant songs. He previously the foresight to indication Kris Kristofferson as both a article writer and a documenting designer, although Kristofferson’s vocal restrictions made a lot of people on the market think that the composer should function only like a songwriter. Foster also created an R&B subsidiary of Monument, Audio Stage 7, which experienced big strikes by Joe Simon, although John Richbourg do Audio Stage 7’s A&R. Like many record business moguls, Foster was canny plenty of to bolster and consolidate his holdings by owning a posting organization, Combine Music, that lots of of Monument’s documenting artists had been authorized to, and which supplied material for most Monument produces. In the first ’80s, Foster went into deep monetary trouble, linked to lender investment as opposed to the record market. This pressured him to market Monument to Sony, and Combine to SBK. Within the ’90s, nevertheless, Foster remained mixed up in music business in a lower key fashion along with his Sunstone production organization.

Quick Facts

Full Name Fred Foster
Weight 95 kg
Profession Music Producer, Songwriter
Nationality American
Awards Grammy Trustees Award
Nominations Grammy Award for Song of the Year

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1 Founded Monument Records in 1958 in Nashville, Tennessee.
2 Credited with the career development of Rock and Roll Hall of Fame singer, Roy Orbison.



Morfi, todos a la mesa 2016 TV Series producer - 1 episode
The Voice 2015 TV Series writer - 1 episode
Australian Story 2014 TV Series documentary writer - 1 episode
Late Show with David Letterman 2011 TV Series writer - 1 episode
Ruisrock - 40 vuotta rockia ja rakkautta 2011 TV Movie documentary writer: "Me and Bobby McGee"
Gent de paraula 2011 TV Series writer - 1 episode
American Idol 2010 TV Series writer - 2 episodes
Californication 2009 TV Series writer - 1 episode
Crook & Chase 2009 TV Series writer - 1 episode
Watchmen 2009 writer: "Me and Bobby McGee"
Spectacle: Elvis Costello with... 2009 TV Series 1 episode
Loquillo leyenda urbana 2008 Documentary writer: "Me and Bobby McGee"
Banda sonora 2007 TV Series writer - 1 episode
The Last King of Scotland 2006 writer: "Me and Bobby McGee"
Southland Tales 2006 writer: "Me And Bobby McGee"
Karaoke Revolution Party 2005 Video Game "Me And Bobby McGee"
The View 2005 TV Series writer - 1 episode
Late Night with Conan O'Brien 2005 TV Series writer - 1 episode
The Life and Hard Times of Guy Terrifico 2005 writer: "Me and Bobby McGee"
Hrvatski Idol 2004 TV Series writer - 2 episodes
Festival Express 2003 Documentary writer: "Me & Bobby McGee" - as F. Foster
Human Nature 2001 music: "Me and Bobby McGee" 1970
El tiempo de la felicidad 1997 writer: "Me and Bobby McGee"
Message to Love: The Isle of Wight Festival 1997 Documentary writer: "Me & Bobby McGee"
The War at Home 1996 writer: "Me and Bobby McGee"
Stars in Their Eyes 1996 TV Series writer - 1 episode
The Winning Hand 1985 TV Movie writer: "To Make a Long Story Short, She's Gone", "Me and Bobby McGee"
Berlin Alexanderplatz 1980 TV Mini-Series 1 episode
One-Trick Pony 1980 writer: "Me And Bobby McGee"
Dolly 1976 TV Series writer - 1 episode
Police Woman 1975 TV Series writer - 1 episode
8th Annual Country Music Association Awards 1974 TV Special writer: "Me and Bobby McGee"
Owen Marshall, Counselor at Law 1973 TV Series writer - 1 episode
The Graham Kennedy Show 1973 TV Series writer - 1 episode
Johnny Cash i København 1971 TV Special documentary writer: "Me And Bobby McGee"
Pop story 1971 TV Series writer - 1 episode
The Last Movie 1971 writer: "Me and Bobby McGee"
Two-Lane Blacktop 1971 writer: "Me and Bobby McGee"
The Porter Wagoner Show 1970 TV Series writer - 1 episode



Bluegrass 1988 TV Movie



The Winning Hand 1985 TV Movie



Roy Orbison: One of the Lonely Ones 2015 TV Movie documentary Himself - Producer & Founder, Monument Records
The Heart of Country: How Nashville Became Music City USA 2014 TV Movie documentary Himself - Record Producer
E! True Hollywood Story 2005 TV Series documentary Himself - Monument Records
Dolly Parton: Platinum Blonde 2003 TV Movie documentary Himself
In Dreams: The Roy Orbison Story 1999 TV Movie documentary Himself
Dolly 1988 TV Series Himself

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