Being a virtuoso organist and among the best-known & most prolific composers in Prague in the eighteenth hundred years, the achievement of Franz Brixi also eclipsed that of his famous dad, Simon (1699-1735). Like therefore a lot of Prague’s effective composers, Franz Brixi discovered his trade in Bohemia’s provincial cities and churches. He was created in Prague in 1732 just a couple years before his father’s untimely loss of life. Not surprisingly, Franz still left Prague to get his early education. In 1744 he began his musical education at the fitness center run with the Piarists at Kosmonosy beneath the instruction from the greatly important Czech composer and instructor Vaclav Kalous (1715-1786). After completing his research in 1749 Brixi came back to Prague, where he quickly became among the city’s most well-known organists and composers. He increased quickly through Prague’s competitive rates of organists: initial on the cathedral of St. Havel, after that St. Nicholas, and St. Mary na louzi. In 1757 he was selected to compose the musica navalis for the annual celebration of St. John’s where music was performed over the river Vltava from barges; the first efforts to this celebration had been constructed by his dad. Franz maintained the honor of composing the musica navalis nearly every calendar year until his loss of life. On New’s Years Time 1759 he was appointed to the best musical placement in the Czech lands as kapellmeister from the St. Vitus Cathedral in Prague’s wonderful castle. During this time period he was also the choirmaster at St. George’s mounted on the Benedictine monastery in the castle area. Brixi ultimately succumbed to tuberculosis and passed away in a healthcare facility from the Brothers of Charity at age 39. Despite his apparently short existence, Brixi was among Prague’s many prolific composers of the time and added to nearly every well-known genre of that time period. As an organist, it really is unsurprising that it’s his group of six body organ concertos which have continued to be among his most long lasting instrumental compositions. Like a lot of his result, his style can be an attractive mix of Czech folk designs and the most recent Italian versions emanating from Vienna. Many of his Mass configurations have continued to be staples from the Czech cathedral repertoire. His incredible result of sacred music, specifically a few of his oratorios and motets, continues to be awaiting additional exploration.