Franz Koglmann

A lot of the recordings of award-winning contemporary composer, trumpeter, and flügelhorn participant Franz Koglmann (and of his functions) are available around the Head wear labels (Head wear Artwork, Head wear Hut, etc.), although this might switch since Koglmann founded his personal label, Between your Lines, in 1999. Given birth to near Vienna in 1947, Koglmann discovered to try out the trumpet and flügelhorn and, by 1973, got founded his initial record label, Tube Information, which released several albums by Steve Lacy and Costs Dixon. In 1972 and 1976, Koglmann earned the Music Prize of the town of Vienna. His record Opium/For Franz arrived on Pipe Information in 1976. Through the mid-’70s with the mid-’80s, he was an associate from the Improvising Music Orchestra, furthermore to executing in other groupings, like the Reform Artwork Unit (RAU) within the mid- to past due ’70s and pianist Georg Graewe’s Grubenklangorchester for two years in the first ’80s. In 1983, Koglmann founded the Chamber Jazz Emsembles Pipetet, whose debut documenting, Schlaf Schlemmer, Schlaf Magritte, arrived in the Hat Artwork label the next year. A couple days following this, Koglmann begun to concentrate on composing. He received the Music Prize from the Republic of Austria for his compositions in 1987, circumstances grant 2 yrs afterwards, and, in 1990, liked the debut efficiency of his functions in Vienna. The next season, Koglmann was lauded by Wire mag and in 1992 received the Music Award of Lower Austria. The Hat label released various other Koglmann albums during this time period, including The Usage of Storage (Hat Artwork). His Diapasson (in the French label Disque d’Or) was also voted Record of the entire year with the London Moments in the first ’90s. Melange de la Promenade arrived in 1993, as do one of is own major functions for Hat Artwork, Cantos I-IV. Functions by Franz Koglmann had been performed at Wien Contemporary 1994 in Cologne, at main celebrations in Canada, with the Knitting Manufacturing plant in N.Con.C. in 1995. The Austrian composer also received another condition grant in 1995. Commissioned for the 1997 Vienna Event, Koglmann made up “Ein Heller, Lichter, Schöner Label.” This season also brought the discharge of O Moon My Pin-Up, which received the Composers’ Award from your Erste ?-sterreichischen Sparcasse. In 1998, Austrian group Klangforum Wien debuted his function “Don’t Play, YOU NEED TO BE,” and the next year, Koglmann documented the first recording for his fresh Frankurt-based label Between your Lines. The recording, entitled Make Believe, presented Koglmann on trumpet and flügelhorn, alongside reeds participant Tony Coe, guitarist Brad Shepik, and much more, carrying out originals by Koglmann apart from the title monitor by Jerome Kern. Over time, Koglmann offers performed and documented with renowned improvisers such as for example guitarist Derek Bailey, saxophonist Lee Konitz (We CONSIDERED Duke Head wear Hut, 1995), and pianist Paul Bley. By 2000, Franz Koglmann still resided in the town of his delivery.