Frankie “Sugar Chile” Robinson

Created in Detroit, MI, in 1940, small Frankie Robinson started toying using the piano when he was big more than enough to take a seat on the bench and reach the key pad. Legend offers it he were able to play something resembling “Tuxedo Junction” within the ivories before he’d gained age three. Frankie Carle stated to can see a child in 1945, along with a meteoric profession was set in place once the precocious kid performed in the White colored House for Chief executive Harry S. Truman. He also sat along with Lionel Hampton’s orchestra. In 1946, solid because the “son piano participant,” Robinson sang and performed “No Keep, No Like” in Charles Martin’s MGM film of the same name. This welterweight humor also starred Vehicle Johnson, Man Lombardo, Keenan Wynn, and English celebrity Patricia Kirkwood. Right now billed as “Sugars Chile” Robinson, Frankie began making information in LA for the Capitol label in 1949, supported on his 1st program by bassist Leonard Bibb and drummer Zutty Singleton. “Amounts Boogie” was his big strike, climbing to number 4 on Billboard’s R&B graph by the finish of the entire year. “Caldonia” crested at quantity 14. Robinson was right now a national work, and he toured the U.S. playing before packed houses coastline to coastline. He also lower eight more edges for Capitol, this time around associated with Jimmy Richardson and Crimson Saunders. Later on that yr the young celebrity went on the street with Count number Basie and made an appearance inside a 15-minute film with this bandleader’s sextet and Billie Vacation, amongst others. The staging was as contrived as other things with this boy’s profession. Basie sat playing the piano as Robinson stalked in putting on cowboy head wear and holsters, cover guns attracted. Forcing the Count number from his device at gunpoint, Glucose Chile sat down and showed remarkable musical capability for the lad of a decade. He made an appearance on radio and tv, performed the London Palladium, and swept through European countries in 1951. At age 12 Robinson produced his best & most mature recordings — also using body organ and celeste — in June of 1952. His documenting profession then suddenly found an end, which is a pity that no one was taping the proceedings one evening in 1954 when Robinson arrived on the Blue Take note in Chicago, seated in with baritone saxophonist Gerry Mulligan. No-one has come forwards with a conclusion for why this appealing young artist divide the picture when he do. A theory is available that he continued to aid in working the Lando record label in Detroit through the 1960s, and a recently available rumor state governments that Glucose Chile Robinson resurfaced in his hometown, soon after the convert of the millennium, playing the piano once more like old situations. In 2007 Revola Information released Robinson’s comprehensive recordings on Compact disc as Move Boy Go!