From about the mid-’80s, Frank Peter Zimmermann continues to be recognized as among the leading German violinists, not for the most common factors alone — formidable techie abilities and interpretive acumen — also for his capability to adapt his design to support the needs of a wide selection of repertory, from J.S. Bach to modern composers. He provides expressed a particular like for the music of Mozart and Prokofiev, two composers of certainly disparate designs whose functions Zimmermann provides performed to worldwide acclaim. He in addition has played the typical concertos of Beethoven, Brahms, Mendelssohn, Sibelius, and Stravinsky, aswell as single and chamber functions by Bach, Debussy, and Ysaÿe. Furthermore, Zimmermann offers delved into even more adventurous fare, dealing with functions by Ligeti, Matthias Pintscher, and additional modern composers. Zimmermann offers made several recordings for most brands, including EMI, Sony, Philips, and Teldec. Frank Peter Zimmermann was created in Duisburg, Germany, on Feb 27, 1965. He was incredibly precocious: at five years he started playing the violin, with 10 offered his 1st orchestral concert playing the Mozart G main Concerto, K. 216. In 1976 he earned the Youngsters Makes Music Competition in Germany. His roster of educators is amazing: Valery Gradov (at Folkwang Hochschule in Essen), Saschko Gawriloff (in the Berlin Staatliche Hochschule), and Herman Krebbers (personal research in Amsterdam). In 1983 Zimmermann released his profession, performing in various critically acclaimed concerts across Germany and elements of European countries. He produced his U.S. debut the next year using the Pittsburgh Symphony Orchestra, and over another several seasons made an appearance using the Boston, Chicago, and Country wide symphony orchestras. He also offered concerts in SOUTH USA, Japan, and Australia. In the first many years of his profession Zimmermann frequently collaborated in chamber works together with German pianist Alexander Lonquich, but since 1998 he offers frequently performed with Italian pianist Enrico Speed. In the brand new hundred years Zimmermann has switched even more conspicuously to modern music, documenting the Ligeti Violin Concerto for Teldec (2002) and premiering Matthias Pintscher’s En Sourdine in 2003, using the Berlin Philharmonic Orchestra under conductor Peter Eötelevisionös. Among Zimmermann’s recordings can be an ECM disk released in 2006 that could be seen as a microcosm of his design and broad preferences: the Compact disc, a collaborative work with cellist Heinrich Schiff, consists of chamber functions for violin and cello by J.S. Bach, Honegger, Martinu, Pintscher, and Ravel.