A genuine original, composer/musician/sound artist Frank Pahl spent his musical career within the underground, amassing a little cult following. Whether along with his organizations Just a Mother as well as the Scavenger Quartet or playing single, he charms his general public with beautiful avant-garde melodies performed on an extraordinary selection of neglected acoustic devices and homemade automatons. When he decides to create lyrics, they consider the proper execution of bittersweet tales. His music allies a naïve simpleness and a sophisticated contact of amateurism (the consequence of using devices that are hard to retain in melody). His appearance participate in an unsuspected place between Eugene Chadbourne and Pascal Comelade. Given birth to Feb 11, 1958, in Trenton, MI, Pahl thought we would find out the euphonium (an inferior version from the tuba) in senior high school. This would become the to begin many unusual devices he would later on increase his arsenal, like the harmonium (a pump body organ), the ukulele, as well as the banjo, combined with the clarinet, acoustic guitar, and piano. He 1st left his tag in the past due ’80s using the avant-folk group Just a Mom, who also included Doug Gourlay and Marko Novachcoff — both would continue steadily to collaborate in his many tasks. 1991 saw the discharge from the group’s last work, Naked Music for Contortionists, and Pahl’s initial single Compact disc, Cowboy Disciple. His involvement within the tribute record to the Citizens, Eyesore, in 1996 as well as the discharge of his third record, In Cahoots, another season, both on the label Vaccination, enticed a relatively bigger target audience. A turning stage, the second option features short tunes ? la Just a Mom sided by instrumental music directing toward his past due-’90s productions. Contributors included like-minded maverick Eugene Chadbourne and Shaking Ray Levis. Pahl continuing to execute and record sparsely. He received several commissions for theatre and dance productions and was also energetic like a multidisciplinary designer, creating unusual and eye-catching computerized sound sculptures. In the change of the hundred years he created the Scavenger Quartet (with drummer Gourlay, saxophonist Tim Holmes, and bassist Joel Peterson), who released Whistling for Leftovers within the label Snowdonia in 2001.
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|Beyond the Pale||2007|
|Ballad of Fire||1997|
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