Belgian pianist and composer Francy Boland teamed with American drummer Kenny Clarke to lead the Clarke-Boland Big Band, widely cited because the finest all-star ensemble of its kind ever assembled beyond your U.S. Delivered November 6, 1929, in Namur, Belgium, François Boland started playing piano at age group eight, later their studies at the Music Conservatory. He initial earned see after signing up for the Bob Pictures in 1949, playing alongside a who’s who of Belgian jazz greats including tenorist Bobby Jaspar, vibraphonist Extra fat Sadi, and guitarist René Thomas. Boland documented six LPs using the Bob Photos, most of them in Paris. Once the group dissolved, he and many bandmates continued to be in France, and in 1954 he authorized on because the pianist and arranger behind trumpeter Purposeé Barelli. In 1956 Boland became a member of trumpeter Chet Baker’s quintet, so when Baker came back towards the U.S. he required the pianist with him. Boland continued to be overseas for just two years, throughout that period composing for Benny Goodman, Count number Basie, and Mary Lou Williams. Upon time for Europe, he resolved in Germany, becoming a member of Kurt Edelhagen’s orchestra in addition to using the Western Deutsche Radio Big Music group. In the springtime of 1961, Boland fulfilled with drummer Clarke, and collectively they put together an octet to record the Blue Notice LP The Golden Eight. The cooperation proved so effective that Italian maker Gigi Campi motivated the duo to increase their collaboration full-time, leading to the creation from the Kenny Clarke-Francy Boland Big Music group. A global group featuring music artists from your U.S., Britain, Germany, Austria, and Sweden, its rates included a number of the finest players from the post-bop period, including Ronnie Scott, Tony Coe, Derek Humble, Nat Peck, and Karl Drewo. (Guests on the 30-unusual LPs consist of Stan Getz, Johnny Griffin, and Zoot Sims.) In every, the Clarke-Boland Big Music group remained a heading concern for more than 11 years, regardless of the financial hurdles and ego problems implicit to keep this sort of all-star worldwide business afloat — Boland’s plans deftly wed the intellectual rigors of bebop using the physical energy of golf swing, and his “Sax Zero End” surfaced as today’s standard. Carrying out a 1972 day in Nuremburg, the Clarke-Boland Big Music group split. Boland resolved in Geneva, getting into semi-retirement but nonetheless writing and organizing, most notably in the demand of Sarah Vaughan. In 1984, he was tapped to spearhead One Globe, One Serenity, which arranged to music the poems of Pope John Paul II. Boland passed away in Geneva on August 12, 2005.