Francisco Mário

Cartoonist Henfil’s and sociologist Betinho’s sibling Francisco Mário (Chico Mário) developed essential are a composer and instrumentalist. His hemophilia was a significant factor for his commitment towards the violão (classical guitar) through the extended hours he spent during intercourse. Studying the device since he was five, his uncle Geraldo shifted from Bocaiúva to Belo Horizonte to instruct him the Brazilian viola. In 1965, his violão had been a central component in his lifestyle, closely associated with his energetic religious lifestyle. He graduated using a level in economics and do post-graduate research in system evaluation. He researched the violão with Henrique Pinto and developed the musical technique by shades for children, where dramatic arts and Brazilian folkloric music performed a significant function. The technique was adopted in a number of institutions of São Paulo. His didactic activity included children’s tales created for the Recreio mag and the version of group dynamics ways to his personal music technique. In 1978 he relocated to Rio, where he worked well like a musician. He analyzed arranging and tranquility with Roberto Gnattali, who organized the tunes of his 1st display, Ouro Preto. In 1979, having been praised by Carlos Drummond de Andrade, he documented his first recording, Terra, that was released in Mexico, with visitor performers Joyce, Quarteto em Cy, Antonio Adolfo, Airton Barbosa, and Chiquinho perform Acordeon. He was mixed up in first wave from the impartial phonographic creation in Brazil and was elected vice-president from the Indie Record Suppliers Association (APID). Within the same 12 months, he participated within the 12th release of the Event de Inverno de Ouro Preto. His Revolta Dos Palhaçoperating-system was documented individually in 1980 by using 200 individuals who bought the recording before it had been ready. The recording experienced partnerships with poets Aldir Blanc and Paulo Emílio, Fernando Rios, and Gianfrancesco Guarnieri and unique guests Ivan Lins, MPB-4, Lucinha Lins, Boca Livre, Mauro Senise, Luiz Claudio Ramos, Danilo Caymmi, Djalma Correa, amongst others. In 1981, he displayed Brazil within the 5th Festival de Oposicion, in México. Within the same 12 months, he documented Versos e Viola with Francisco Julião, lately returned from your exile. The recording was vetoed by censorship and was by no means released. The instrumental Conversa de Cordas, Palhetas e Metais adopted, with the involvement of Rafael Rabello, Nivaldo Ornelas, Zeca Assumpção, Antônio Adolfo, and Afonso Machado. The recording was elected the very best Brazilian instrumental music recording of 1983, becoming awarded with the Chiquinha Gonzaga trophy. The publication of poems Painel Brasileiro premiered using the record. In 1984, he received the very first prize within the Event de Ouro Preto with “São Paulo.” 2 yrs later, exactly the same track received the best set up reward in Minas Gerais’ Event dos Festivais. Along with his wife Nívia, he separately created Radamés Gnattalli’s piano single record Retratos. In 1985, he released another instrumental record, Pijama de Seda. Retratos (1986) is really a project where in fact the historic folklore dialogues with metropolitan modernity in Brazil. Chico Mário’s last present was staged in November, on the Collection Brasil project, on the Parque da Catacumba, Rio. In 1987, he understood that he previously caught the Helps virus by way of a bloodstream transfusion and transferred to the family members plantation in Itatiaia and composed his three last functions, the erudite “Dança perform Mar,” “Suíte Brasil,” and “Tempo,” which will be documented in October using the Quarteto de Cordas Bosísio, his last three albums. “São Paulo,” in the unpublished Tempo, gained the initial place on the Festival de Inverno de Ouro Preto and was honored as best agreement within the Festival dos Festivais (Minas Gerais). In Dec, 1987, a lot more than 30 performers performed free of charge within a concert on the Teatro João Caetano that elevated money for Mário’s treatment. Included in this, Milton Nascimento, Chico Buarque, Gonzaguinha, Dona Ivone Lara, Paulinho da Viola, Emilio Santiago, Joyce, Claudio Nucci, Fagner, Elton Medeiros, and Aldir Blanc. In Feb of another season, the Minas Gerais music artists did exactly the same on the Teatro Cabaré Mineiro: Beto Guedes, Paulinho Pedra Azul, Gilvan de Oliveira, Tadeu Franco, Rubinho perform Vale, amongst others. When Francisco Mário passed away on March 14, 1988, he previously enough materials for three information. These were released in the record Dança perform Mar by his widow and maker Nívia Souza and sons, inside a concert in the Sala Cecília Meireles, where Rafael Rabello, Antônio Adolfo, Mauro Senise, Rique Pantoja, David Chew up, and Galo Preto participated. Suíte Brasil premiered in 1992 in the Centro Cultural Banco perform Brasil. In 1995, Caju Music reissued three of Francisco Mário’s albums on Compact disc: Conversa de Cordas, Couros, Palhetas e Metais, Pijama de Seda, and Retratos. The albums had been also released in the U.S. through Dream. In 1997, Terra and Dança perform Mar had been reissued on Compact disc, as well as an exhibition in the Museu de Imagem e perform Som in Rio de Janeiro with CRAV, in Belo Horizonte. In 1998, the task Francisco Mário — 50 Anos brought another exhibition, as well as shows in video, theatre, display, and poem reading. Regina Spósito released the Compact disc Marionetes in 1999; it had been made by Marcos Souza and focused on Mário’s works. Within the same 12 months, the recording Suíte Brasil was reissued by Funarte/Itaú Cultural/Atração. Chico Mário published three books: Ressurreição, Como Fazer Um Disco Independente (an unbiased producer’s primer), as well as the poetry publication Painel Brasileiro.