Francesco Spinacino, a famous lutenist and author of the Italian Renaissance, was created in the city of Fossombrone, probably around the entire year 1485. In the preface towards the to begin two selections of lute music released by Spinacino in Venice in 1507 (the just day in his profession which may be accurately confirmed), the poet Cristoforo Gigante explained him as “a genuine heir of Orpheus.” Spinacino was most likely still alive in 1520 — that is recommended by Philippo Oriolo da Bassano’s poem Monte Parnaso, which include Spinacino’s name in a summary of great fifteenth-century lutenists. His two magazines, Intabulatura de lauto libro primo and Intabulatura de lauto libro secondo, had been the earliest imprinted volumes focused on the device. Both add a rudimentary intro to lute tablature notation in both Latin and Italian, which demonstrated so favored by readers that these were reprinted in every Petrucci’s subsequent magazines for lute until 1546. Spinacino’s selections drew upon music and tunes from as much afield as the English Isles. The “ricercares” specifically are being among the most sophisticated of their period. Frequently designed as preludes to additional pieces, they may be free in type and frequently of virtuoso difficulty. While next to nothing is well known of Spinacino’s existence and family, the grade of his making it through music suggests he will need to have been among the extremely finest lute players of his epoch.