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Francesco Mazzonetto

One of the charismatic teenager virtuosi signed by Sony’s classical department in the mid-2010s, perhaps on the idea you could attract teen listeners by supplying them young performers, Francesco Mazzonetto was created in Turin in 1997. He produced his debut on the city’s venerable Circolo della Stampa entertainment hall at age 12 and shortly began to provide concerts around Turin and in various other northern Italian metropolitan areas. These gained vital notice, however the almost all the high-school-aged pianist’s energies had been devoted to tournaments, where he had taken home top awards also outside Italy. As soon as 2009 he gained first prize on the Concours Musicale de France in Aix-en-Provence. He was a do it again champion at that event, and over another five years he have scored some competition victories over adult pianists; mainly he avoided youngsters events. Mazzonetto researched in the Piano Academy of Turin, where his instructor was Maria Golia. The awards led to larger concert possibilities. An appearance at a global piano event at Casa Verdi in Milan drew positive essential notice, which year also noticed Mazzonetto execute a Haydn key pad concerto using the Chamber Orchestra of Florence. In Milan, Mazzonetto captured the attention of the Sony label professional, and he was authorized compared to that label. Mazzonetto got get better at classes with Muriel Chemin, Alessio Cioni, Riccardo Risaliti, and Boris Petrushansky. In 2017, still not really yet twenty years older, he released his debut recording, Italian Piano Functions. The album’s material, featuring key pad functions by composers from Baldassare Galuppi to Nino Rota, displayed bold options for an unfamiliar pianist. “[They] haven’t any cause to envy Mozart or Beethoven,” Mazzonetto described towards the Italian newspapers La Stampa. “With this recording I wish to introduce Italian music towards the globe.” His high-school classes completed, Mazzonetto dedicated himself to training for eight hours each day. Having a fearsome specialized arsenal taking form, Mazzonetto also was wanting to develop a fresh way of showing traditional piano music: his concerts included brief discusses the lives and music from the composers whose functions he performed.

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