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Flying Saucer Attack

Shaped in Bristol, England in 1992, the elusive avant-noise space-rock task Flying Saucer Assault primarily comprised the duo of singer/guitarists David Pearce and Rachel Brook, refugees through the group Lynda’s Strange Holiday who shaped FSA as an outlet for his or her fascination with home-recording experimentation (they trapped to a D.We.Y. visual and shunned documenting studios whenever you can). Drawing impact from Krautrock, folk, and desire pop, they bowed using the solitary “Soaring Large,” accompanied by an eponymously entitled 1993 debut LP that buried the group’s narcoleptic vocals and amorphous tunes under thick, organic linens of opinions. The group’s preliminary releases had been self-released independently FSA Information in little, vinyl-only editions with handmade product packaging. The group disliked cds, vastly preferring vinyl fabric, but quickly raising interest within their music triggered these to reluctantly concern their music in the Compact disc format, you start with VHF’s American launch of their 1st full-length. FSA authorized to Domino in the U.K., who released Range, a assortment of atmospheric singles and unreleased materials, in 1994. Becoming a member of the Drag Town roster in america, FSA surfaced in 1995 with Further, an amazingly evocative function that transferred the group’s hypnotic acoustic guitar wash right into a distinctively pastoral establishing. Chorus, another singles compilation, adopted later in the entire year, and with it emerged a declaration of the finish from the group’s preliminary phase, placing the stage for Traveling Saucer Attack’s continuing evolution among the decade’s state-of-the-art and ambitious groupings. Following Distant Place (a Tele:Funken record utilizing FSA examples, acknowledged to both performers) and Searching for Spaces (a loud 50-minute collage of live recordings), both released in 1996, 1997’s New Lands was the first fruits of this brand-new FSA, today a Pearce single project exploring the options of sampling. Brook, in the meantime, centered on her aspect group Movietone, a likewise blissed-out excursion into audio. Pursuing New Lands and a 7″ one (“Coming House”), FSA still left Domino, resurrecting FSA Information for the discharge of Reflection in 2000. The record contained a number of the project’s quietest, folkiest materials, aswell as blown-out excursions into drum’n’bass just like Third Eye Base, whose Matt Elliott added to FSA’s debut recording. Pearce ceased saving new FSA materials, although he regularly released limited selections of uncommon and archival recordings, including a break up CD with Primary and White colored Winged Moth within the Mort Aux Vaches series, 2003 CD-R launch P.A. Blues, and 2012 LP Heartbeat/Total. Pearce collaborated with Jessica Bailiff for any one-off project known as Crystal clear Horizon, whose self-titled recording premiered by Kranky in 2003. (Bailiff also performed guitar on the track known as “Soaring Saucer Assault” on Odd Nosdam’s 2005 Anticon full-length Burner.) After a 15-12 months hiatus, Pearce resumed producing music as Soaring Saucer Attack, time for Domino and Pull City for the discharge of full-length Instrumentals 2015.

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