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Fiorenza Cedolins

Fiorenza Cedolins is among the leading stars from the operatic stage, most widely known for jobs in the operas of Puccini and Verdi. She’s appeared at lots of the main opera homes in Europe, especially in Italy and Spain, and provides given acclaimed shows on the Met, Covent Backyard, Vienna Condition Opera, as well as the most renowned opera festivals. She’s regularly made an appearance in concert at such essential locations as Avery Fisher Hall, Royal Albert Hall, as well as the Vienna Konzerthaus, and provides made many recordings for such brands as ArtHaus Musik, TDK, and Decca. While she’s have scored many successes in operas by Puccini and Verdi, her repertory is certainly broad and consumes lead jobs in Monteverdi (Il combattimento di Tancredi e Clorinda), Bellini (Norma), Donizetti (Lucrezia Borgia, Maria Stuarda), Leoncavallo (I Pagliacci), Mascagni (Cavalleria rusticana), Richard Strauss (Salome), and many more. Cedolins’ concert repertory contains Verdi’s Requiem and Orff’s Carmina Burana. Cedolins’ lyric soprano tone of voice is both gorgeous and effective, quite befitting the dramatic coloratura repertory she’s generally favored. Delivered Fiorenza Cedolin in Anduins, Italy, on March 18, 1966, she’d later on add the s to her surname to honor the city of her delivery. In her child years she sang in an area choir and analyzed piano. It had been during this time period that Cedolins sang on a favorite Italian television system Zecchino d’oro. At age group 12 she chosen a career like a vocalist. Cedolins later analyzed with renowned vocal pedagogue Roberto Benaglio. Her recognized debut arrived in 1989 in the Teatro Petruzzelli in Bari, Italy, where she sang Rosalinda in Johann Strauss II’s Die Fledermaus. Additional important debuts adopted, including her 1992 appearance as Santuzza in Cavalleria Rusticana in the Teatro Carlo Felice in Genoa. From 1993 Cedolins offered as an artist-in-residence using the Break up Music Event in Croatia. Her watershed discovery arrived in 1996 when she received the Luciano Pavarotti Vocal Competition, yielding her a debut using the Philadelphia Opera Organization as Tosca, with Pavarotti as Cavaradossi. That same 12 months she sang Santuzza, under Riccardo Muti, in the Ravenna Event. Invitations started pouring in and quickly she was a global existence. Cedolins debuted in the Puccini Event in Torre del Lago, Italy, in 2000 performing Tosca. She debuted in the Met in 2001 as Cio-Cio-San, and came back in 2004 as Aida. Among, Cedolins’ first main recording made an appearance, a 2003 Decca Compact disc of Tosca, which she sang the name role reverse Andrea Bocelli. Cedolins sang in the extremely seen Requiem Mass for Pope John Paul II in Apr 2005. Even more succesful recordings and looks adopted, including her 2008 portrayal of Elizabetta in Verdi’s Don Carlo at La Scala. In ’09 2009 Cedolins was appointed creative director in the Rassegna Lirica Torelliana in Fano, Italy. Regardless of the demands of the post, she continuing with much schedule of performances, scoring successes on the Zurich Opera Home as Nedda in I Pagliacci with the Vienna Condition Opera as Cio-Cio-San, both in March 2011.

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