Fernando Brant

With an increase of than 200 compositions written as well as Milton Nascimento, not really mentioning a thorough selection of first-rate composers, Fernando Brant is among the most significant Brazilian contemporary lyricists. In 1967, Brant penned his initial composition together with Milton Nascimento, “Travessia,” which, interpreted by Nascimento, gained the second put in place the II FIC (International Melody Celebration). The melody was contained in Nascimento’s initial record, in the same calendar year. “Sentinela” was another from the compositions with the duo to become presented within a festival. This time around, it was Television Record’s IV FMPB (Festival of Brazilian Popular Music), as well as the interpreters had been Cynara and Cybele (in the Quarteto em Cy). “Travessia” and “Outubro” (also with the duo) had been documented by Nascimento in Courage. Milton Nascimento acquired “Sentinela” and many various other compositions by them. Clube da Esquina acquired “San Vicente” and “Ao Que Vai Nascer” (with Nascimento), and “Paisagem na Janela” (with Lô Borges). Milagre dos Peixes acquired “Escravos de Jó” as well as the name monitor. Brant also composed additional tracks that might be documented by Nascimento and several additional essential interpreters: “Em virtude de Lennon e McCartney” (with Lô Borges and Márcio Borges), “Aqui, Ó” and “Céu de Brasília” (with Toninho Horta). Along with other tracks with additional partners, Brant had written with Nascimento “Janela Em virtude de o Mundo” and “Louva-a-Deus,” contained in Nascimento, the recording which was granted using the Grammy in 1998. “Maria Maria,” “Planeta Blue,” “Promessas perform Sol,” “O Vendedor de Sonhos,” “Canção da América,” “Saudade dos Aviõsera da Panair (Conversando no Club),” “Encontros e Despedidas” and “Nos Bailes da Vida” are a number of the additional tracks which have Brant’s lyrics.