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Fay Claassen


Like Soesja Citroen — among Holland’s best-known jazz singers — Fay Claassen is really a Dutch jazz vocalist who does not have any problem making your way around in the British vocabulary. Claassen has taken a slice track of the Dutch highlight to her post-bop recordings, but just a slight track — and she certainly includes a great knowledge of the English-language materials she’s embraced (which includes ranged from Tin Skillet Alley requirements to Burt Bacharach/Hal David tunes to lyrics that Cassandra Wilson published for Kilometers Davis’ “Seven Actions to Heaven”). But despite the fact that Claassen sings in British generally, she hasn’t limited her singing compared to that vocabulary; the improviser in addition has performed jazz convincingly in French and Portuguese. And whatever vocabulary she is carrying out in, Claassen is not a hard-driving or intense type of vocalist; she swings, however, not inside a forceful method. Claassen’s performances possess tended to become graceful, elegant, easy, urbane, and advanced. Given birth to in Nijmegin, Holland, in 1969, Claassen explored ballet dance and acting before making a decision to create jazz performing her primary concentrate. After senior high school, she analyzed in the Royal Conservatory within the Hague and continued to become presented vocalist for numerous Dutch jazz organizations (like the Amsterdam Jazz Quintet). In 1994, a 25-year-old Claassen was presented thoroughly on German saxophonist Carolyn Breuer’s Basically Be, which arrived on Holland’s Problem Records the next season; on that record, she is detailed as Charge Claassen rather than Fay Claassen. Heading by Fay Claassen rather than Charge Claassen, the vocalist began recording being a head in the past due ’90s, when she supplied her debut record, With a Tune in My Center, with some help through the Jazz Impuls Base (a Dutch firm that assists jazz performers it feels should have more reputation). In the first 2000s, Claassen journeyed to the brand new York Town/northern NJ area and documented her second record, Rhythms & Rhymes, which provided her an opportunity to use well-respected American jazz improvisers like guitarist Mike Stern, pianist Kenny Werner, and vibist/marimba participant Joe Locke. That record was made by Jazz Impuls’ Bob Hagen and premiered in Holland for the organization’s Jazz ‘n Pulz label. Hagen continued to create Claassen’s third record, Specially Organized for Fay, a big-band time that discovered her being joined up with with the Millennium Jazz Orchestra; that disk also arrived on Jazz ‘n Pulz in Holland and, like Rhythms & Rhymes, was written by Allegro in america.

Quick Facts

Full Name Fay Claassen
Date Of Birth December 2, 1969
Profession Jazz Singer
Nationality Dutch
Music Songs Luck Child, My Funny Valentine, Line for lions, Almost blue, Song of Life, Throw It Away, Conception / Deception, Zon in Scheveningen, I fall in love too easily, Cancao No Paiol Em Curitiba, Is You Is Or Is You Ain't My Baby, Too Darn Hot, The touch of your lips, First song, The Song Is You, He Was Too Good to Me, A Flower Is a Lovesome Thing, One Trick Pony, You Turn Me On Baby, When Sunny Gets Blue, Blame it on my youth, The thrill is gone, Ev'rything I Love, Ponciana, Speak Low, I remember you, Let's get lost, Peace on Earth, A House Is Not a Home, Miniature No. 7, Finding You, Poor Butterfly
Albums Two portraits of Chet baker, Live at the Amsterdam Concertgebouw, Specially Arranged for Fay, Luck Child, Red, Hot & Blue: The music of Cole Porter, Rhythms and Rhymes, With a Song in My Heart, In Exile of Dreams, Sing!, Fay Claassen Sings Two Portraits of Chet Baker Vol. 1

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Barend en Van Dorp 2001 TV Series Herself - Singer

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