Farman Fathalian was created in 1970 in Tehran. When he was five years of age, his parents prompted him to understand the violin within a music institute. Following the Islamic trend, he performed different musical musical instruments and gradually electric guitar became his area of expertise. In 1992, he performed his first electric guitar concert on the Center for Mental Nurture of Kids and Teenagers movie theater in Tehran, which enticed much interest. Farman Fathalian is most beneficial referred to as a devotee of Ali-ibn-i-Abi-Talib, who’s the first head, after Islam’s prophet, in Shiite as well as the 4th caliph in Sunni religions. In music, he intelligently mixes these spiritual aspects with components of Indian musical instruments like tabla aswell as acoustic/electrical electric guitar, bass, and drums. After 1992, during many moves to India, he became acquainted with Indian temples and the annals of Indian theosophy and traditional Indian music. In his continuing journeys to India, he also discovered to try out the Indian tabla from Usman Khan and companioned numerous Qawwals. Indian Qawwali music has already established a profound influence on his musical believed. In 1998, after six years, he performed a electric guitar recital in Golestan ethnic home in Tehran, and in the same season, he earned the brilliant efficiency prize in the initial Iranian well-known music celebration. He composes and arranges the vast majority of his tracks and has Spanish/acoustic electric guitar, tabla, keyboards, and percussion. Also he provides recorded several tracks with lyrics by himself aswell. Farman has documented three albums until now. 2000’s Citizen was an excellent attempt for an initial recording. He postponed the posting of his second recording for 3 years. In 2003’s Method of Like, he used digital devices like drum loops for the very first time. He also partially receded from sacred ideas and began to then add mundane feeling to his music. This is not absolutely all his followers loved to find out from Farman Fathalian, but nobody complained about the musical a part of his recording. The third recording was released in 2004 and entitled Drunken and Ruined, which may be considered probably the most ripened in his musical existence. In Drunken and Ruined he continuing playing different musical forms aswell, but this time around in a far more logical method than his second recording. For example, the track “THE STORYPLOT of Najaf” includes a jazz mood.