Raimundo Fagner is an extremely successful designer, with several platinum albums. He documented within the U.S., Britain, Spain, and France, with Fito Paez, Astor Pazzolla, Mercedes Sosa, among others. His tunes were documented by Roberto Carlos, Elis Regina, Nara Leão, Chico Buarque, Cazuza, among others. Associated with music since early years as a child, at age group five he earned a radio competition. In 1968, he earned the IV Celebration de Música Popular perform Ceará with “Nada Sou” (with Marcus Francisco). As well as Belchior, Rodger Rogério, Ednardo, and Ricardo Bezerra, he shaped the gang referred to as Pessoal perform Ceará. Within the next season, he shown “Luzia perform Algodão” (once again with Francisco) within the Celebration de Música Popular da Rádio Assunção Cearense. The tune was his initial to be documented through label Orgacine. Until 1970, he remained in Fortaleza, CE, where he distributed a every week radio present with Pessoal perform Ceará. In 1971, Fagner shifted to Brasília and enrolled on the structures college on the Brasília College or university, abandoning the training course by the end of the initial season. However, the college or university promoted the Celebration perform Centro de Estudos Universitários de Brasília, that Fagner inscribed three tunes: “Manera, fru-fru, Manera” (with Ricardo Bezerra, which received 6th place), “Cavalo Ferro” (Greatest Interpreter and Greatest Arrangement as well as the music was re-recorded by Elis Regina), and “Mucuripe” (allegedly with Belchior, earning the competition, even though music is definitely another plagiarism and was actually created 70 years before by Henrique Voegeler). After shifting to Rio, he created a duo with Cirino and documented an individual for RGE. Within the next calendar year, Sérgio Ricardo instituted the Disco de Bolso series within the critic laughter tabloid O Pasquim, and Fagner documented “Mucuripe” on the next record released for the reason that series. Elis Regina documented the melody within the same calendar year, with huge nationwide success, which acquired a decisive influence over Fagner’s profession. He then documented another one for Philips, which acquired “Quatro Graus” (with Dedé), a melody that was also provided on the VII FIC. Another calendar year, “Cavalo Ferro” was documented with the Pessoal perform Ceará (Ednardo, Rodger Rogério, Teti, and Cirino) over the record Meu Corpo, Minha Embalagem, Tudo Gasto na Viagem. Fagner documented the very first LP, Manera, fru-fru, Manera (the name was an irony aimed against Caetano Veloso, yielding a shared enmity which endures until today), which acquired Naná Vasconcelos, Ivan Lins (on the piano), Bruce Henry, and Nara Leão as visitor artists. The record brought among Fagner’s biggest strikes, “Canteiros,” which contains his music to get a poem by Cecília Meirelles, who was simply not acknowledged on that recording. It produced intense polemics and following a lengthy court fight, the recording was released of blood flow by judicial decision. Fagner had written the soundtrack (as well as Chico Buarque) for Cacá Diegues’ film Joana, a Francesa. In Paris, France, he performed inside a collective Brazilian display in the Olympia (went to by 2,000 people), and caused Pierre Barroux and Naná Vasconcelos, abandoning the agreement with Philips. He documented another LP, Ave Noturna, in 1975 (Continental), which got “Fracassos,” re-recorded later on by Cauby Peixoto. In 1976, he documented Raimundo Fagner (CBS), combining rock and roll and romanticism. In 1977, Orós got the agreements by Hermeto Pascoal, representing a sophisticated record with poor industrial repercussion. Even after that, “Cebola Cortada” acquired national appearance. With Quem Viver Chorará, he previously a real offering discovery (150,000 copies), getting the strikes “Revelação,” “As Rosas não Falam” (Cartola), “Motivo” (once again, a non-credited poem by Cecília Meirelles), and “Jura Secreta.” The record also acquired Alceu Valença as visitor vocalist on “Punhal de Prata.” On the invitation of CBS, he made the label Epic to focus on new talents, introducing through it Amelinha, Zé Ramalho, Elba Ramalho, Robertinho de Recife, Petrucio Maia, Manassés, poet Patativa perform Assaré, violonista Nonato Luiz, among others. In 1979, he released the LP Beleza (200,000 copies offered), which got “Noturno,” the theme of the main cleaning soap opera Coração Alado, which yielded an excellent national achievement. The display Beleza, in Belo Horizonte, collected 60,000 people within an open up park as well as the stage was invaded by enthusiasts as well as the display canceled. Within the same yr, he won Television Tupi’s Event 79 with “Quem me Levará sou European union” (Dominguinhos/Manduka). In 1980, he documented Raimundo Fagner, with poems by Patativa perform Assaré; “Eternas Ondas” was the largest strike. Traduzir-se, in 1981, acquired Mercedes Sosa, Manzanita, Joan Manuel Serrat, and Cameron de La Isla as visitor stars. The record was released concurrently in Brazil and Spain. Fagner also acquired popular with “Qualquer Música.” “Pensamento” was included on the main soap opera Last Feliz. Palavra de Amor (1983) is normally focused on the intimate repertory, with “Guerreiro Menino” (Gonzaguinha) and visitor superstars Chico Buarque and Roupa Nova. A Mesma Pessoa (1984) acquired gorgeous music, but didn’t sell. Within the same calendar year, he documented with Luís Gonzaga an recording for RCA Victor, which got both performing northeastern classics such as for example “Boiadeiro,” “Súplica Cearense,” “O Chero de Carolina,” “Xote das Meninas,” among others. In 1985, he released Fagner with visitor celebrities Chico Buarque (“Paroara”), Cazuza (“Contra-mão”), and Beth Carvalho (“Te Esperei”). In 1986, he released Fagner on RCA, using the strike “Dona da Minha Cabeça,” (Geraldo Azevedo/Fausto Nilo). The recording got visitor celebrities Gonzaguinha, maestro Isaac Karabtchevisky, and an orchestra. Love no Deserto is actually industrial, with “Deslizes” (Michael Sullivan/Paulo Massadas) rating a big nationwide strike. In 1987, Fagner proved helpful as an professional within the series A Rainha da Vida, which acquired his “Rainha da Vida,” “Preguiça,” and “À Sombra de um Vulcão” over the soundtrack. Within the next calendar year, he documented another record with Luiz Gonzaga. In 1989, he released O Quinze with “Amor Escondido,” “Retrovisor,” “Cidade Nua,” and “Oração de São Francisco.” It acquired particular guests Chico Buarque and Michael Sullivan. Pedras Que Cantam (1991) experienced northeastern tunes, boleros, and sertaneja music. “Pedras que Cantam” was the theme of the primary time cleaning soap opera Pedra Sobre Pedra, and “Borbulhas de Amor” produced national success. Visitor celebrities included Roberta Miranda and Roupa Nova. Demais (1993) is usually focused on samba-canção, associated with Roberto Menescal, with whom he released a live documented recording in Japan. Caboclo Sonhador (1994) is really a go back to northeastern origins, with less industrial achievement. Retrato (1995) can be another genuinely northeastern and creative record with minor industrial outcomes. In 1996, he released Bateu Saudade, that is actually a compilation where just the name track was after that unpublished. For the reason that season, he also released Raimundo Fagner, and documented Terral (1997), Amigos e Cançõha sido (1998), and Fagner ao Vivo (2000).
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