Fabio Fonseca

In Brazilian jazz and Brazilian pop, Fabio Fonseca is well respected for his abilities as an organist, electric keyboardist and acoustic pianist aswell for his skills as an arranger, maker, composer and engineer. The Rio de Janeiro indigenous spent some time working with main Brazilian artists such as for example Azymuth, João Donato, vocalist Ithamara Koorax as well as the past due percussionist Dom um Romão, and like those performers, he offers both Brazilian and American affects. Fonseca brings more information on influences towards the table, which range from Brazilian symbols like Eumir Deodato, Azymuth (specifically the piano and key pad playing of José Roberto Bertrami), João Donato and Antonio Carlos Jobim to American jazz greats such as for example Charles Earland and Larry Youthful within the Hammond B-3 body organ to George Duke, Chick Corea and Herbie Hancock on electrical keyboards. Fonseca is definitely a swinging participant, but he’s also decidedly lyrical, melodic and approachable–and like a maker, arranger and engineer, he obviously gets a whole lot of motivation from your albums that Creed Taylor created for his CTI label in the ’70s. Created in Rio de Janeiro, Brazil in 1961, Fonseca began monitoring the acoustic piano at age eight and added electrical keyboards to his arsenal when he is at his teenagers. Fonseca studied Western traditional music as an adolescent, but jazz and Brazilian music became his main focus–and the American and Brazilian music from the ’70s experienced a huge effect on Fonseca, who paid attention to everyone from Go back to Forever to Stevie Question to Flora Purim and Airto Moreira throughout that 10 years. When Fonseca was 20 in 1981, drummer Sergio Naidin asked him to become listed on a Rio de Janeiro-based music group known as Nota Vermelha (including Leo Jaime and Fernanda Abreu, two cariocas who continued to achieve main success as single performers). At 22, Fonseca joined up with the music group Brylho, including vocalist/guitarist Claudio Zoli. Fonseca’s initial full-length album being a head, a self-titled work, premiered by WEA Brazil in 1988, and he continuing to record being a head in the ’90s and 2000s–occasionally on electrical keyboards, sometimes over the body organ. In addition to all or any his are an arranger, manufacturer and engineer, the 2000s discovered Fonseca leading a cohesive trio that provided him a whole lot of area to loosen up over the Hammond body organ; billed simply because The Fabio Fonseca Trio, the group also included Pedro Leão on electrical bass and Macintosh William on drums and percussion. The Fabio Fonseca Trio’s albums possess included the 2002 discharge Tudo on Jardim Magnético as well as the 2006 documenting Opus Samba, which Arnaldo DeSouteiro created for his Jazz Place label in 2006.