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Experimental Audio Research


Experimental Audio Study — E.A.R. for brief — was a loosely associated set up of performers mainly spearheaded by Range frontman Sonic Increase; every once in awhile, the group also included, amongst others, My Bloody Valentine’s Kevin Shields, God’s Kevin Martin, and AMM’s Eddie Prevost. Being a revolving workout in guitar-based sound, each E.A.R. discharge radically differed in the types preceding it, spanning the separate between weightless atmosphere and dense bed linens of reviews; the task was presented via 1994’s Mesmerised, and was implemented a few a few months afterwards by Pocket Symphony, released exclusively on 5″ vinyl fabric. (As befitting Sonic Boom’s very own love for record collecting, the produces that implemented in 1995 — Hydroponic and an untitled work — appeared just being a 10″ and 8″ picture-disc documenting, respectively.) Although released in 1996, the Beyond the Pale LP was originally designed as the initial Experimental Audio Analysis discharge, and was in fact documented in 1992; Phenomena 256 implemented that August. Next up was 1997’s The Köner Test, a nod to minimalist Thomas Köner, who also made an appearance on the disk; Millennium Music implemented in 1998, with following produces including Data Rape.

Quick Facts

Full Name EAR
Music Songs Beyond the Pale, D.M.T. Symphony, Worn to a Shadow, Phenomena 256, Guitar Feedback Manipulation, As the Night Starts Closing In, Mood for a Summer Sundown, California Nocturne, Ring Modulator, Delta 6, Automatic Music, The Enigma Coda, Mesmerise 4901, Hydroponic, The Circle Is Blue, Spacestation, The Calm Beyond, Delysid, Wired Waves, Kalimbell, Digitana, Whisper Incantor, Synchrondipity, The Calm Before, In the Cold Light of Day, Echo Gull, See-Saw, Tripple, Space Theme, Space Themes Part 1 & 2, Delian Lament, Blue Loop
Albums Mesmerised, Millenium Music: A Meta-Musical Portrait, Phenomena 256, Living Sound, Beyond the Pale, Worn to a Shadow, Continuum, Pestrepeller, Vibrations EP

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