Record professional Ewart Abner gets the distinction of experiencing been leader of two pioneering, highly successful black-owned record brands, Vee-Jay Information and Motown Information. He was an integral player within the professions of Jerry Butler, Gene Chandler, the Four Periods, Marvin Gaye, Stevie Question, Diana Ross, Eddie Kendricks, as well as the Beatles. Delivered Ewart Abner Jr. on, may 11, 1923, in Chicago, IL, Abner went to Washington, D.C.,’s Howard University or college and Chicago’s DePaul University or college generating an accounting level in 1949. In the beginning employed by businessman Artwork Sheridan to become his accountant for his record pressing herb and distributorship, Abner ultimately overran the day-to-day procedure of Sheridan’s pressing herb. In 1950, Abner aided Sheridan along with his label, Opportunity Information, which was an early on recording house for the Flamingos, the Moonglows, and many R&B, jazz, doo wop, pop, gospel, and blues performers. In 1954, Opportunity folded, and the next 12 months, Abner moved to another Chicago label, Vee-Jay Information. He was employed because the label’s general supervisor by owners Jimmy and Vivian Bracken (‘Vee’ for Vivian, ‘Jay’ for Jimmy). Abner was appointed chief executive of Vee-Jay in 1961. The label experienced built up an extraordinary product sales record with strikes from the Spaniels and Jimmy Reed. Abner wished to increase upon that along with his “complete collection” label idea, extending the label’s product sales foundation beyond doo wop, blues, gospel, and jazz towards the growing and more profitable R&B, rock and roll & move, and pop music marketplaces. Under his management, Vee-Jay became a major-selling impartial label with strikes by Jerry Butler (“HE’LL Break Your Center,” “Discover Another Female”), Dee Clark (“Raindrops”), Gene Chandler (the silver one “Duke of Earl”), Betty Everett (“The Shoop Shoop Tune [It’s in His Kiss]”), as well as the Four Periods (both silver singles “Sherry” and “Big Young ladies Don’t Cry”); in addition they put out the very first U.S. produces with the Beatles (“Make sure you Make sure you Me,” “From Me for you,” “Twist and Shout,” “Flavor of Honey,” “Would you like to Understand a Top secret?”). In tribute towards the super-shrewd professional whom they’d employed, the Brackens began the Abner label. Released in the imprint had been albums by Dee Clark and Jerry Butler. Abner stocks songwriting credit in the Un Dorados’ “WITHIN MY ENTRY WAY (Crazy Small Mama),” which visited number 1 R&B in fall 1955. In 1963, following a business disagreement, Abner was terminated by Vee-Jay. Then formed Constellation Information, scoring strikes with Gene Chandler (“YOU NEED TO BE Accurate,” “God Bless Our Like” b/w “London City”). A year or two later on, Abner reunited using the Brackens in order to conserve the right now foundering Vee-Jay. However the label succumbed to personal bankruptcy in 1966, exactly the same 12 months his Constellation label folded. In 1967, Motown chief executive Berry Gordy brought Abner towards the company to immediate the label’s designer management department. In 1973, Gordy resigned as chief executive of Motown Information to be chairman from the table of Motown Sectors, his newly made record/film/Television and publishing department (the films Female Sings the Blues starring Diana Ross, Bingo Long…, the 1971-1973 ABC Sunday morning cartoon in line with the Jackson 5). Following a six-year stint being a Motown vice leader, Abner became the label’s leader. Motown acquired five number 1 pop singles the entire year Abner became a member of: Stevie Wonder’s “You Will be the Sunlight of MY ENTIRE LIFE,” Marvin Gaye’s “Let’s OBTAIN IT On,” Eddie Kendricks’ “Continue Truckin’ (Component 1),” Diana Ross’ “Contact Me each day,” and Stevie Wonder’s “Superstition.” A dynamic proponent of civil privileges and minority education, Abner co-founded the Dark Museum Association, portion as professional vice chief executive in 1978. Abner made an appearance within the PBS unique Record Row: Cradle of Tempo & Blues. Stated in association with WTTW-TV Chicago, the hour-long documentary that shown in 1997 celebrated Chicago’s famous Record Row, the conglomeration of record brands, record shops, and marketers that lined South Michigan avenue through the ’50s and ’60s. During his loss of life, Abner was professional associate to Berry Gordy for the Gordy Organization in LA, professional chief executive of Jobete Music Co., Inc. and Rock Gemstone Music Corp., and vice chairman from the Motown Historic Museum in Detroit. Ewart Abner passed away on Dec 27, 1997, at Cedars-Sinai INFIRMARY in LA.
|1||Former executive at Chance Records in Chicago from 1950-54.|
|2||Joined Motown Records in 1966 and was its President from 1973-1975.|
|3||Founded Abner Records in 1958 (originally called Falcon Records).|
|4||Founded Constellation Records (1963-66).|
|5||President of Vee-Jay Records (1961).|
|Manchester by the Sea||2016||writer: "At My Front Door" - as Ewart Abner Jr.|
|Divine Secrets of the Ya-Ya Sisterhood||2002||writer: "Little Rain" 1957|
|Hope Floats||1998||writer: "Honest I Do"|
|Telling Lies in America||1997||writer: "Honest I Do"|
|Son of Dracula||1974||writer: "At My Front Door" - as Abner|
|Record Row: Cradle of Rhythm and Blues||1997||TV Movie documentary||Himself|
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