Ewa Podles is among the world’s leading contraltos, equally effective in the worlds of opera and concert music. Her tone of voice possesses the wealthy, flexible, maybe even masculine, quality that separates the real contralto in the mezzo-soprano, and which includes invited evaluation to famous brands Marilyn Horne, Kathleen Ferrier, and Marian Anderson. Her range, both musically and vocally, provides produced her succesful in a number of genres and designs, like the operas of Rossini and Verdi, the music of Chopin, and a wide collection of Russian repertoire. The little girl of an effective Polish contralto, Podles initial attracted interest while still students in her indigenous Warsaw, where she was involved by the neighborhood firm to sing Rosina in Rossini’s Barber of Seville. Her profession created quickly, and she begun to make worldwide appearances as soon as 1982. The lighter quality that characterized her tone of voice in early stages allowed for exceptional shows of such functions as Rossini’s Cenerentola and Bizet’s Carmen aswell as some lighter Russian functions. Nevertheless, as her tone of voice developed it required on a far more quality dark quality that exposed a wider collection of parts, including Verdi’s Eboli (Don Carlos) and Ulrica (El Ballo in maschera). Her personal performance has for quite a while been the name part in Rossini’s Tancredi. She also sings La Donna del Lago and L’Italiana in Algeri. She’s an effective recital system known as “Rossini Arias for Contralto,” which she’s sung using the Moscow Chamber Orchestra in New York’s Carnegie Hall. Podles’ recordings have already been well received, including a disk of Chopin tunes with pianist Garrick Ohlsson, Melodies Russes (Grand Prix de L’Academie Française du Disque), and Tancredi (nominated for any Grammy).