(François) Eustache du Caurroy was a significant Renaissance-era French composer who was simply highly respectable in the French courtroom during his life time and who became widely adored after his loss of life. For a while his sacred, secular, and instrumental functions were analyzed and imitated for his or her deft manipulation of counterpoint and, using pieces, for his or her usage of the musique mesurée ? l’antique design. Although one dependable resource (composer Jean-Benjamin de la Borde) lists du Caurroy’s birthplace as Gerberoy, he might well have already been created in close by Beauvais, where he was baptized on Feb 4, 1549. Practically there is nothing known of du Caurroy’s early years and his 1st recorded activity is really as a vocalist in the royal chapel under Ruler Henry III, though he might have been around in the services of Ruler Charles IX in the first 1570s, as is definitely suggested on the monument erected to du Caurroy’s memory space. The point is, by the middle-1570s du Caurroy had been a practiced composer, winning awards in the annual Puy d’Evreux competition in 1575 and 1576 for vocal functions. He was granted another reward in the same competition in 1583 for any chanson. For this period du Caurroy started serving as associate master from the royal chapel and quickly produced what’s maybe his best-known function, the Missa pro defunctis (c. 1590), written for overall performance in the funeral of King Henry IV. The task would stay de rigueur in the funerals of French monarchs for another century roughly. In 1595 du Caurroy was raised to author of the royal chamber, after that in 1599 to author of the royal chapel. He was right now in the elevation of his capabilities, though relatively small of his music was released. He previously also become quite rich from benefices bestowed on him, not really least of these his sessions as Cannon at two churches and Prior at many others. In 1609, du Caurroy started making arrangements using the Le Roy & Ballard company to create all his functions, which, next to the Missa pro defunctis, contains Preces ecclesiasticae (53 Latin motets), Les Meslanges (60 assorted vocal functions), and Fantasies (42 instrumental functions). Other functions described in writings of his day time, such as for example three masses, didn’t endure. Du Caurroy passed away in 1609, departing his nephew, André Pitard, to oversee publication of his compositions.