French art-rock device Etron Fou Leloublan — roughly translated, “Mad Sh*t, the Light Wolf” — was shaped in 1974 by vocalist Eulalie Ruynat, bassist/vocalist Ferdinand Richard, saxophonist Chris Chanet, and drummer Guigou Chenevier. Something from the Rock and roll in Opposition coalition — a loose collective of English and EUROPEAN performers, spearheaded by Henry Cow, that openly challenged the industrial, innovative, and sociopolitical seeks of mass-market well-known music — Etron Fou Leloublan boasted a frenzied, densely rhythmic strategy ably captured by their 1976 debut LP, Batelages. Saxophonist Francis Grand changed Chanet for the 1978 follow-up, Les Trois Fou’s Perdégagnent (Au Pays off Des…); a short 1979 tour from the U.S. yielded the live disk En Open public au Etats-Unis d’Amerique. Bernard Mathieu assumed saxophone responsibilities and vocalist/multi-instrumentalist Jo Thirion changed Ruynat for 1982’s Fred Frith-produced Les Poumons Gonfles, with another saxophonist — Bruno Meillier — putting your signature on on for 1984’s Les Sillons de la Terre. That same yr, a longtime Etron Fou Leloublan guideline how the members cannot take part in musical tasks beyond your group’s rates was raised, and both Richard and Chenevier documented solo attempts; the former teamed with Sophie Jausserand to get a l’Abri des Micro-Climats, as the second option partnered using the celebrated cellist Tom Cora for En Avant. Chenevier concurrently shaped another group, Encore Plus Grande, while Richard moonlighted with Alfred Harth in Gestalt et Jive. Having evidently had their fill up of revolving saxophonists, Richard, Chenevier and Thirion documented 1985’s Encounter aux Unéments Déstringés like a three-piece; the LP was the ultimate Etron Fou Leloublan documenting, with 1991’s three-disc 43 Tracks collecting the entirety from the group’s studio result.