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Ethel Merman

Biography

Ethel Merman was the best American musical movie theater performer of her era, creating jobs in 13 Broadway musicals between 1930 and 1959, and continuing to surface in displays occasionally through 1970. Her clarion tone of voice and specific enunciation were ideal for an period whenever a stage performer was necessary to sing noisy enough to become heard behind the movie theater without amplification. That produced her a popular of the best songwriters of your day, and she released a few of the most unforgettable tracks of George Gershwin, Cole Porter, and Irving Berlin. Her Broadway stardom, at the same time once the musical theatre was a significant supply for American well-known music, nationally afforded her possibilities in the areas of entertainment including personal performances, records, films, radio, and tv. But her genuine home was for the Broadway stage, and that is where she spent the majority of her period for 40 years. Merman started singing as a kid and amused at armed service camps during Globe Battle I. She became a secretary after graduating from senior high school, but steadily built up a profession performing in nightclubs and vaudeville. In Sept 1930, she reached the pinnacle of vaudeville achievement, playing the Palace Theatre in NY. By then, nevertheless, she had been preparing to create a transition towards the genuine theatre, and on Oct 13, 1930, she opened up within a highlighted function within the Broadway musical Young lady Crazy, with tracks by George and Ira Gershwin, appealing to considerable interest with her efficiency of “I ACQUIRED Tempo.” The present went 272 performances, shutting June 6, 1931, and she discovered period during its set you back continue her nightclub performances and to just work at New York’s Paramount Photos studios, where she made an appearance in short movies, and then produced her feature film debut in Adhere to the first choice, released in Dec 1930. On Sept 14, 1931, she opened up in her second Broadway display, that year’s release from the revue George White’s Scandals, presenting “Life Is a Plate of Cherries.” It went 202 performances, shutting March 5, 1932. On Oct 1, 1931, she produced a test saving of “Lifestyle Is a Plate of Cherries” for RCA Victor Information, but she didn’t make her initial released recordings until a Victor program a season later, on Sept 29, 1932, that created a edition of Irving Berlin’s “How Deep May be the Sea?” On the next many years, she produced occasional additional recordings, for Brunswick Information in 1934 and 1935, for Liberty Music Store Information in 1939, as well as for Decca Information in 1940, generally performing music connected with her displays and movies. But recordings accounted for just a small section of her function. Merman opened up in her third Broadway musical, Have a Opportunity, on November 26, 1932, her most remarkable song becoming “Eadie Was a female.” The display went 243 performances, shutting July 1, 1933. In Sept, she visited Hollywood, where she co-starred with Bing Crosby in We’re Not really Dressing along with Eddie Cantor in Child Millions, both movies released in 1934. (Video footage of her performing “It is the Pet in Me,” shot for We’re Not really Dressing, was found in the 1935 film Big Broadcast of 1936.) Following a yr, she came back to NY and her most significant stage success however, starring within the Cole Porter musical Anything Runs, which opened up November 21, 1934, and ran 420 shows, shutting November 16, 1935. Her music included “I Get yourself a Kick Away from You,” “You’re the very best,” as well as the name tune. Unusually on her behalf, she still left the present before its shutting to fulfill even more film commitments in Hollywood, once again co-starring with Cantor, in Hit Me Red, and Crosby, inside a display version of Anything Moves, both released in 1936. After that her bicoastal profession continued back NY with another Cole Porter providing, Red, Sizzling and Blue!, which opened up on Broadway on Oct 29, 1936, to get a work of 183 shows, closing Apr 10, 1937. Among her six music within the present were “Down within the Depths over the 90th Flooring” and “It’s De-Lovely.” Time for Hollywood, she agreed upon with 20th Century-Fox and produced three movies released in 1938, Content Getting, Alexander’s Ragtime Band (which presented classic tracks by Irving Berlin), and Right, Place and Display. This ended up being her last prolonged function in movies. Turning 30, with just ordinary appears, she acquired no real potential for being truly a big Hollywood superstar, but her tone of voice assured her above-the-title position back again on Broadway. Appropriately, Merman headed back again east again on her behalf 6th stage musical, Celebrities in Your Eye, which presented tunes compiled by Arthur Schwartz and Dorothy Areas. It opened Feb 9, 1939, to get a operate of just 127 performances, shutting May 27, and by Dec 6, Merman was back again on-stage in Cole Porter’s DuBarry Was a female, a more effective effort that went 408 performances, keeping for the planks until Dec 12, 1940. Before after that, she experienced still left it to open up in another Porter display, Panama Hattie, on Oct 30, 1940. This musical offered her longest operate yet, 501 shows, shutting on January 3, 1942. She experienced wedded theatrical agent William Jacob Smith in 1940 and divorced him in 1941, after that wedded newspaperman Robert Daniels Levitt. With him, she offered delivery to her first kid, Robert Daniels Levitt, Jr., on July 20, 1942. On January 7, 1943, she was back again on Broadway, performing Cole Porter tunes in Something for the Guys, which ran 422 shows, shutting January 8, 1944. (Through the season, she produced a cameo appearance within the all-star film Stage Door Canteen, and she produced her initial appearance within the Billboard singles graph with “Move It Over” on RCA Victor.) On August 11, 1945, Merman gave delivery to her second kid, Ethel Levitt. Her tenth stage musical was the largest strike of her profession, Irving Berlin’s Annie GET THE Weapon, a depiction of the life span of sharpshooter Annie Oakley. Starting Might 16, 1946, it went 1,147 shows, until Feb 12, 1949, and she remained in it before end, performing “Doin’ What Shows up Natur’lly,” “THEY STATE It’s Amazing,” “WHATEVER YOU CAN PERFORM,” “I ACQUIRED the Sun each day,” and “THERE IS NO Business Like Display Business,” among additional tunes. The initial Broadway cast recording experienced become a industrial entity in enough time since her last stage appearance, as well as the cast record for the display, released on Decca, reached number 2 within the graphs. This recording achievement elevated her profile, and she was presented with her personal network radio series, The Ethel Merman Display, which went during 1949. She also agreed upon an exclusive documenting agreement with Decca and have scored some graph entries in 1950 and 1951 combined with fellow stage celebrity Ray Bolger: “Dearie,” “I Said My Pajamas (And Placed on My Pray’rs),” “EASILY Knew YOU HAD BEEN Comin’ I’d’ve Baked a Wedding cake,” and “Once Upon a Nickel.” On Oct 12, 1950, Merman came back to Broadway in Irving Berlin’s following musical, Contact Me Madam. It went 644 shows, until May 3, 1952, and she gained a Tony Prize. RCA Victor possessed the privileges to the initial Broadway cast record, but she was still under agreement to Decca. Because of this, all of those other original solid, with Dinah Shoreline substituting within the starring part, recorded an recording for RCA, while Merman along with a quickly constructed studio room solid including Dick Haymes documented a contending one for Decca. Merman’s edition outscored Shore’s, achieving number two within the graphs, with her duet with Haymes on “You’re Simply in Like” achieving the singles graphs. Despite her elevated nationwide profile, Merman hadn’t returned to film producing. Broadway viewers may experienced no trouble acknowledging her because the vibrant Annie Oakley in Annie GET THE Weapon, but moviegoers could have been necessary to swallow their disbelief experienced the 42-year-old attempted to celebrity within the 1950 film edition. (Since it was, MGM under no circumstances asked her, initial giving the function to Judy Garland, who lowered out because of illness, and to Betty Hutton.) However the function of Sally Adams, the Perle Mesta-like “Hostess using the Mostes’ on your golf ball” in Contact Me Madam, was a matronly one, and Merman do get to come in the film edition, that was released in 1953, her 1st starring film part in 15 years. The soundtrack recording on Decca reached amount five. Merman didn’t immediately return back right into a Broadway present, initial acknowledging the rise of tv by making several small-screen performances, notably one around the two-hour Ford 50th Wedding anniversary Display on June 15, 1953, broadcast go on both CBS and NBC. Her primary stage rival experienced been Mary Martin, as soft-voiced and nice as Merman was stentorian and overpowering. Both performed an extended duet on the display, and Decca released it with an recording. After showing up in tv adaptations of Anything Goes (matched with Frank Sinatra) and Panama Hattie, Merman following starred in another luxurious film musical filled up with classic music by Irving Berlin, THERE IS NO Business Like Display Business, also offering Dan Dailey, Mitzi Gaynor, Donald O’Connor, Johnnie Ray, and Marilyn Monroe, that was released for the 1954 Xmas time of year. The soundtrack recording on Decca reached quantity six. Merman concluded her unique agreement with Decca by assembling the double-LP established A Musical Autobiography, which mixed cast recordings with studio room recordings from 1947 and 1955 of music with which she was linked for the career review. Merman’s 12th Broadway musical was Happy Hunting, which opened up Dec 6, 1956, and went 413 shows, until November 30, 1957. RCA Victor documented the cast recording, which she could appear. However the display was remembered much less for itself than because of its celebrity. She appeared for a far more suitable vehicle following and discovered it within the musical that became her mature triumph and provided her her last brand-new function on Broadway, Gypsy. With this display in line with the early existence of stripper Gypsy Rose Lee, Merman portrayed Mama Rose, the best stage mom, who bullies her daughters into getting effective. She performed the unsympathetic spend the enthusiasm, performing “Everything’s APPROACHING Roses” as well as the wrenching tour de drive “Rose’s Convert,” music compiled by Jule Styne and Stephen Sondheim. The display opened on, may 21, 1959, and went 702 shows, until March 25, 1961, and she not merely stayed with everything with the Broadway operate, but additionally undertook a nationwide tour that went yet another nine a few months. The cast record reached amount 13 and remained within the graphs for a lot more than 2 yrs. For once, she quite definitely wanted to perform the 1962 film version, and she’d have been almost age-appropriate for this, but she was aced from the function by Rosalind Russell. At 54, Merman was prepared to quit the eight-show-a-week timetable of Broadway, and she came back to personal performances for the very first time since 1930, producing her NEVADA debut in Oct 1962; her display was documented for the Warner Bros. Information LP Merman in Vegas. (She also went in to the studio room and re-recorded a few of her best-known tunes for the Warner Bros. LP Merman: Her Greatest!) She guest-starred on tv and experienced character parts within the films From the Mad, Mad, Mad, Mad Globe (1963) as well as the Art of Like (1965). ON, MAY 31, 1966, she came back to musical movie theater in NY within a 20th wedding anniversary revival of Annie GET A Gun intended like a five-week limited work, but prolonged until it finally shut on November 26, 1966, after 124 shows. RCA Victor documented a new solid recording that reached the graphs, and a tv adaptation went on March 19, 1967. Merman made an appearance within a nationwide tour of Contact Me Madam in the past due ’60s and produced her last stand on Broadway when she became the 8th woman to superstar in Hello, Dolly!, beginning on March 28, 1970. She got rejected the display back 1964; right now she shut it on Dec 27, 1970. Having reached her sixties, she worked well less regularly. She produced the casual cameo inside a film (Won Lot Lot, your dog Who Saved Hollywood [1976], Aircraft! [1980]); and she re-recorded her best-known music yet again, over the United kingdom LPs Merman Sings Merman (London Information; 1972) and Ethel’s Traveling High (Decca; 1975). She amazed her supporters by recording a fresh studio room cast edition of Annie GET A Weapon for London Stage 4 Information in 1973, and she surprised them with The Ethel Merman Disco Recording on A&M Information in 1979. She also offered occasional concerts, showing up at Carnegie Hall as past due as 1982. 2 yrs later, she passed away of the human brain tumor at age group 76, her popularity as Broadway’s biggest feminine superstar from the 20th century protected.

Quick Facts


Full Name Ethel Merman
Date Of Birth January 16, 1908
Died February 15, 1984, Manhattan, New York City, New York, United States
Profession Singer, Voice Actor
Education William Cullen Bryant High School
Nationality American
Spouse Ernest Borgnine, Robert Six, Robert Levitt, William Smith
Children Robert Levitt Jr., Ethel Levitt
Parents Agnes Gardner, Edward Zimmermann
Awards Golden Globe Award for Best Actress – Motion Picture – Musical or Comedy, Tony Award for Best Lead Actress in a Musical, Special Tony Award, Grammy Hall of Fame, Grammy Award for Best Musical Theater Album, Drama Desk Award for Outstanding Performance
Music Songs Everything's Coming Up Roses, I Get a Kick out of You, There's No Business Like Show Business, I Got Rhythm, You're the Top, Anything You Can Do, It's De-Lovely, Rose's Turn, I Got the Sun in the Morning, You're Just in Love, You Can't Get a Man With a Gun, Ridin' High, They Say It's Wonderful, How Deep Is the Ocean?, Down in the Depths, Moonshine Lullaby, Together, Wherever We Go, Make It Another Old-Fashioned, Please, Alexander's Ragtime Band, I'm an Indian, Too, I Got Lost in His Arms, Let's Be Buddies, The Hostess With The Mostes' On The Ball, Blow, Gabriel, Blow, My Mother Would Love You, An Earful of Music, Let Me Entertain You, You Say The Nicest Things, I'll Pay the Check, The World Is Your Balloon, Heat Wave, It's the Animal in Me
Albums The Ethel Merman Disco Album, First Lady of the Musical Comedy Stage, 12 Songs From Call Me Madam (With Selections From "Panama Hattie") (Original Broadway Cast), Mermania!, Vol. 1, Merman in Vegas, Mighty Merman, Mermania (Volume 1), The World Is Your Balloon, Call Me Madam, Ethel Merman On Broadway, Hello, Dolly! Broadway Deluxe Collector's Edition, Merman Sings Merman, Memories, But Not for Me, Annie Get Your Gun, Ladies In Jazz - Ethel Merman Vol 1, Essential Broadway Hits, They Say It's Wonderful, Berlin: Annie Get Your Gun (Original Broadway Cast) (1946) / (Original Film) (1950), Mermania!, Vol. 2, Colours of Music History (Remastered), Ethel's Ridin' High, Ethel Shows Off (The Dave Cash Collection), Ladies of Hollywood 1930s, The Fabulous Pop Collection, Cinematic Nostalgia, Call Me Madam - Broadway Originals, I Got The Sun In The Morning, The Broadway Cast Collection, Vol. 2: Jule Styne – Bells Are Ringing & Gypsy, That's What I Need (Remastered), The Essential Tracks, There's No Business Like Show Business: The Ethel Merman Collection, Ridin' High, The Greatest Hits Collection, Merman sings Merman/Ethel's Ridin' High, Merman.. Her Greatest!, Highlights from "Call Me Madam", Tonight in Time, 100% Ethel Merman, The Very Best Of, Your Music Around Me, Life Is Just a Bowl of Cherries, A Summer Sky Shines, Ladies In Jazz - Ethel Merman Vol 2, Friendship, Its The Animal In Me, Once Upon a Nickel, Let's Be Buddies, It's Delovely, I Got Rhythm!, Cocktail Hour
Movies It's a Mad, Mad, Mad, Mad World, There's No Business Like Show Business, Call Me Madam, Airplane!, Kid Millions, Alexander's Ragtime Band, Strike Me Pink, The Art of Love, Rudolph and Frosty's Christmas in July, Stage Door Canteen, Journey Back to Oz, The Big Broadcast of 1936, Won Ton Ton, the Dog Who Saved Hollywood, Anything Goes, Follow the Leader, Panama Hattie, Mickey's Christmas Carol, We're Not Dressing, Straight, Place and Show, You're Gonna Love It Here, Time on My Hands, Mary Martin and Ethel Merman: The Ford 50th Anniversary Show, Mountain of the Blue Moons
TV Shows The Chey Show (1955)


  • Facts
  • Filmography
  • Awards
  • Salaries
  • Quotes
  • Trademarks
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#Fact
1 On April 7, 1983, Merman collapsed in her in Manhattan apartment while preparing to leave for Los Angeles to appear on the 55th Academy Awards. She was taken to Roosevelt Hospital, where, after undergoing exploratory surgery on April 11, the actress was diagnosed with stage 4 glioblastoma. It was reported that she underwent brain surgery to have the tumor removed, but in fact, it was inoperable and her condition was deemed terminal. Her health eventually stabilized enough for her to be brought back to her apartment in Manhattan. However, on February 15, 1984, Merman died of natural causes, 10 months after she was diagnosed with brain cancer.
2 Her favorite role was Mama Rose in "Gypsy", the last Broadway role she originated.
3 Elaine Stritch was once a stand-by for Ethel Merman for the musical "Call Me Madam". In her one woman show "Elaine Stritch: At Liberty", Stritch told a story illustrating Merman's showmanship and attitude: One night, while performing the song "Can You Use Any Money Today", a drunken audience member kept calling out to Merman while she performed, annoying both the audience and Merman herself. Finally, Merman got to the last line of the song, hit the first three notes, and then stopped the song. She then walked off the stage, through the wings, down the stairs and into the audience. She got to the drunken man, yanked him out of his seat, dragged him up the center aisle and through the doors that led out of the theater and literally threw the man out into the street. She then walked back into the theater, down the center aisle, up the stairs, through the wings onto the stage, got to dead center and hit the final note of the song as if nothing had happened.
4 Merman was trained to be a secretary, could take shorthand and was a proficient stenographer and typist and supported herself in clerical jobs until she was successful in show business.
5 According to author Boze Hadleigh, in his book "Broadway Babylon", Merman was fond of telling risqué (if not downright vulgar) jokes, just to see what sort of reaction she would get. Even her close friends found this habit more embarrassing than amusing.
6 Winner of a 1972 Special Tony Award (New York City).
7 When she died, she left $800,000 to be divided between her son and her two grandchildren.
8 She suffered a miscarriage during her marriage to Robert Levitt.
9 Her daughter Ethel Levitt was married to William Geary in 1960. She gave birth to Merman's first grandchild, Barbara Jean, on February 20, 1961. She later gave birth to a son, Michael Geary.
10 She was awarded 2 Stars on the Hollywood Walk of Fame for Motion Pictures at 7044 Hollywood Boulevard; and for Recording at 1751 Vine Street in Hollywood, California.
11 She was either seen or heard (or both) in several of the opening credits of film of television adaptations of shows in which she recreated her original roles. In the film Anything Goes (1936), she appears singing a phrase of the title song before the opening credits even appear; in the film Call Me Madam (1953), she is heard saying the words "Call me madam" as the title appears onscreen, and in the television movie Annie Get Your Gun (1967), the credits appear on targets at which she shoots.
12 Recreated both her Broadway starring roles of Mrs. Sally Adams from "Call Me Madam" and Reno Sweeney from "Anything Goes!" in the movie versions.
13 Winner of 1951 Tony Award for Leading Actress in a Musical for "Call Me Madam".
14 Nominated for 1957 Tony Award for Leading Actress in a Musical for "Happy Hunting".
15 Nominated for 1960 Tony Award for Leading Actress in a Musical for "Gypsy".
16 Biography in: "The Scribner Encyclopedia of American Lives". Volume One, 1981-1985, pages 560-562. New York: Charles Scribner's Sons, 1998.
17 Her third husband, Robert F. Six, was CEO of Continental Airlines.
18 Won a Tony Award for her role in the musical "Call Me Madam" (1951); Tony-nominated for musical "Happy Hunting" (1957); Tony-nominated for the musical "Gypsy" (1960); Recipient of Tony Special Award (1972).
19 Former mother-in-law of murdered Barbara Colby whose untimely funeral she attended
20 Devised her screen and stage name by removing the first three letters (Zim) and the last letter (n) from her birth name - Zimmermann
21 In 1979, she released her most controversial album-to-date, a disco LP simply titled "The Ethel Merman Disco Album". Despite it not even charting on the Billboard charts, and many people's skepticism about the then 71-year-old veteran performing her Broadway hits to a disco beat, it was a smash hit, being played in Studio 54 regularly, with live appearances by Merman, herself. It also became a staple period album for the majority of the gay community.
22 She loved Christmas so much, that she kept her Christmas tree up year-round.
23 Bertolt Brecht actually desired to have the raucous Ethel play the title role of his masterpiece "Mother Courage...and Her Children". Of course, she never did.
24 Her father, whose family was from Pennsylvania, was of German descent. Her maternal grandparents were Scottish immigrants.
25 Parents are Edward Zimmerman (1879-1977) and Agnes Zimmerman (1883-1974).
26 She had two children with her second husband, Robert: daughter, Ethel (born July 20, 1942), and son, Robert Levitt Jr. (born August 11, 1945). Ethel died of a drug overdose that was ruled accidental, on August 23, 1967.
27 Thrice-wed Merman married twice-wed Ernest Borgnine in 1964. The couple separated just 11 days after the wedding and Borgnine filed for divorce on October 21, charging extreme mental cruelty. They had announced their impending nuptials at the legendary New York night spot P.J. Clarke's, but Borgnine, who was riding high as the star of McHale's Navy (1962) at the time, said the marriage began unraveling on their honeymoon, when he received more fan attention than she did. The competitive Merman was left seething. "By the time we got home, it was hell on earth," Borgnine recalled in a 2001 interview. "And after 32 days I said to her, 'Madam, bye'." Merman filed a cross-complaint shortly thereafter charging Borgnine with extreme cruelty. She was granted a divorce on November 18, 1964, after 22 minutes of testimony. Borgnine went on to marry a third time, but Merman remained single after her divorce. In her 1978 biography, she devoted a chapter of her autobiography to the marriage: It consisted of one blank page.


Soundtrack

Soundtrack

TitleYearStatusCharacter
The Sugarcube Critic 2014 TV Series performer - 1 episode
Six by Sondheim 2013 TV Movie documentary performer: "Rose's Turn"
The Secret Disco Revolution 2012 Documentary performer: "No Business Like Show Business"
The Joy of Disco 2012 TV Movie documentary performer: "Alexander's Ragtime Band"
Michael Feinstein's American Songbook 2010 TV Mini-Series documentary performer - 1 episode
Johnny Mercer: The Dream's on Me 2009 TV Movie documentary performer: "There's No Business Like Show Business"
Hollywood Singing and Dancing: A Musical History - The 1930s: Dancing Away the Great Depression 2009 Video documentary performer: "Mandy" - uncredited
Bones 2006 TV Series performer - 1 episode
Joey 2004 TV Series performer - 1 episode
AMV Hell 2004 Short performer: "Anything You Can Do"
Sinatra: The Classic Duets 2002 TV Movie documentary performer: "Moonlight in Vermont" - uncredited
The Next Best Thing 2000 performer: "They Say It's Wonderful"
Drop Dead Gorgeous 1999 performer: Everything's Coming Up Roses"
Little Voice 1998 performer: "There's No Business Like Show Business"
Hidden Hollywood: Treasures from the 20th Century Fox Film Vaults 1997 TV Movie documentary performer: "Marching Along with Time", "When the Midnight Choo-Choo Leaves for Alabam'" uncredited, "Anything You Can Do"
In & Out 1997 performer: "Everything's Coming Up Roses"
The Late Shift 1996 TV Movie performer: "There's No Business Like Show Business"
Discovery 1995 Video performer: "Together Wherever We Go"
Stuart Saves His Family 1995 performer: "Everything's Coming Up Roses"
The Tonight Show Starring Johnny Carson 1992 TV Series performer - 1 episode
Designing Women 1991 TV Series performer - 1 episode
The Wonder Years 1989 TV Series performer - 1 episode
The Muppets: A Celebration of 30 Years 1986 TV Movie performer: "There's No Business Like Show Business"
Great Performances 1985 TV Series performer - 1 episode
Terms of Endearment 1983 performer: "Anything Goes" 1934
All That Jazz 1979 performer: "There's No Business Like Show Business" 1946
Rudolph and Frosty's Christmas in July 1979 TV Movie performer: "Rudolph the Red-Nosed Reindeer", "Don't Let the Parade Pass You By"
A Special Sesame Street Christmas 1978 TV Movie performer: "Tomorrow", "Christmas Medley: Jingle Bells / Sleigh Ride / Winter Wonderland / I Saw Three Ships" - uncredited
The Muppet Show 1977 TV Series performer - 1 episode
You're Gonna Love It Here 1977 TV Movie performer: "You're Gonna Love It Here"
Evening at Pops 1976 TV Series documentary performer - 1 episode
Brother Can You Spare a Dime 1975 Documentary performer: "You're the Top" 1934
Journey Back to Oz 1972 performer: "An Elephant Never Forgets", "If You're Gonna Be A Witch - Be A Witch"
The Mike Douglas Show 1970 TV Series performer - 1 episode
That Girl 1967 TV Series performer - 1 episode
The Art of Love 1965 performer: "M'sieur"
The Frank Sinatra Show 1958 TV Series performer - 1 episode
Perry Como's Kraft Music Hall 1957 TV Series performer - 1 episode
There's No Business Like Show Business 1954 performer: "When the Midnight Choo-Choo Leaves for Alabam'", "Play a Simple Melody", "A Pretty Girl Is Like a Melody", "Let's Have Another Cup o' Coffee", "A Sailor's Not a Sailor 'Til a Sailor's Been Tattooed", "There's No Business Like Show Business", "Alexander's Ragtime Band" - uncredited
The Colgate Comedy Hour 1954 TV Series performer - 1 episode
Call Me Madam 1953 performer: "The Hostess with the Mostes", "Can You Use Any Money Today", "That International Rag", "You're Just In Love", "The Best Thing For You Would be Me", "You're Just in Love" reprise, "Finale: You're Just In Love/Something to Dance About"
Texaco Star Theatre 1949 TV Series performer - 1 episode
Stage Door Canteen 1943 performer: "Marching Through Berlin" 1943 - uncredited
Straight Place and Show 1938 performer: "With You on My Mind" 1938, "Why Not String Along With Me" 1938 - uncredited
Alexander's Ragtime Band 1938 performer: "Say It with Music" 1921, "A Pretty Girl Is Like a Melody" 1919, "Blue Skies" 1927, "Pack Up Your Sins and Go to the Devil" 1922, "My Walking Stick" 1938, "Everybody Step" 1921, "Heat Wave" 1933, "Marching Along with Time" 1938 - uncredited
Happy Landing 1938 performer: "Hot and Happy", "You Are the Music to the Words in My Heart", "You Appeal To Me"
Anything Goes 1936 performer: "Anything Goes" partial, "I Get a Kick Out of You", "You're the Top" with new lyrics, "Shanghai-Dee-Ho"
Strike Me Pink 1936 performer: "First You Have Me High Then You Have Me Low" 1935, "Calabash Pipe" 1935, "Shake It Off with Rhythm" 1935 - uncredited
The Big Broadcast of 1936 1935 performer: "It's the Animal in Me"
Kid Millions 1934 performer: "An Earful of Music" 1934 uncredited, "Mandy" 1918, "Ice Cream Fantasy" 1934 uncredited, "Red Hot Rhythm" uncredited
We're Not Dressing 1934 performer: "It's Just a New Spanish Custom" 1934, "Let's Play House" 1934 - uncredited / producer: "It's the Animal in Me" 1934 - uncredited
Song Shopping 1933 Short performer: "Sing, You Sinners", "I'm Yours" - uncredited
Time on My Hands 1932 Short performer: "Time on My Hands"
You Try Somebody Else 1932 Short performer: "You Try Somebody Else"
Ireno 1932 Short performer: "Shadows on the Wall", "Wipe That Frown Right Off Your Face" - uncredited
Let Me Call You Sweetheart 1932 Short performer: "Let Me Call You Sweetheart"
Roaming 1931 Short performer: "Hello, My Lover, Good Bye", "Shake Well Before Using" - uncredited
Old Man Blues 1931 Short performer: "He Doesn't Love Me Anymore" uncredited, "Old Man Blues"
Devil Sea 1931 Short performer: "Old Devil Sea", "Glory, Glory" - uncredited
Be Like Me 1931 Short performer: "Be Like Me", "After You've Gone" - uncredited
Her Future 1930 Short performer: "My Future Just Passed", "Sing, You Sinners"

Actress

Actress

TitleYearStatusCharacter
The Love Boat 1979-1982 TV Series Roz Smith Ros Smith
Airplane! 1980 Lieutenant Hurwitz
Rudolph and Frosty's Christmas in July 1979 TV Movie Lilly Loraine (voice)
You're Gonna Love It Here 1977 TV Movie Lolly Rogers (as Miss Ethel Merman)
Won Ton Ton: The Dog Who Saved Hollywood 1976 Hedda Parsons
Journey Back to Oz 1972 Mombi, the Bad Witch (voice)
That's Life 1968 TV Series
That Girl 1967-1968 TV Series Ethel Merman
Tarzan 1967 TV Series Rosanna McCloud
Batman 1967 TV Series Lola Lasagne
Annie Get Your Gun 1967 TV Movie Annie Oakley
The Art of Love 1965 Madame Coco La Fontaine
Kraft Suspense Theatre 1965 TV Series Clara Lovelace
It's a Mad Mad Mad Mad World 1963 Mrs. Marcus
The Red Skelton Hour 1963 TV Series Mother Hughes
Maggie Brown 1963 TV Movie Maggie Brown
Vacation Playhouse 1963 TV Series Maggie Brown
The United States Steel Hour 1956 TV Series Libby Marks
General Electric Theater 1956 TV Series Muriel Flood
Shower of Stars 1955 TV Series
There's No Business Like Show Business 1954 Molly Donahue
Panama Hattie 1954 TV Movie Hattie Maloney
The Best of Broadway 1954 TV Series Hattie Maloney
The Colgate Comedy Hour 1954 TV Series Reno Sweeney
Call Me Madam 1953 Sally Adams
Stage Door Canteen 1943 Ethel Merman
Straight Place and Show 1938 Linda Tyler
Alexander's Ragtime Band 1938 Jerry Allen
Happy Landing 1938 Flo Kelly
Anything Goes 1936 Reno Sweeney
Strike Me Pink 1936 Joyce Lennox
The Big Broadcast of 1936 1935 Ethel Merman
Kid Millions 1934 Dot Clark
We're Not Dressing 1934 Edith
Ireno 1932 Short Irene
Roaming 1931 Short Mary, Show Owner's Daughter
Old Man Blues 1931 Short Helen
Devil Sea 1931 Short
Be Like Me 1931 Short Eve
The Cave Club 1930 Short
Follow the Leader 1930 Helen King
Her Future 1930 Short Defendant

Self

Self

TitleYearStatusCharacter
Evening at Pops 1976 TV Series documentary Herself
Match Game PM 1975 TV Series Herself - Panelist
At Long Last Cole 1975 TV Movie Herself
Broadway 1973 TV Movie Herself
The Dick Cavett Show 1973 TV Series Herself
The 26th Annual Tony Awards 1972 TV Special Herself - Winner: Special Award
'S Wonderful, 'S Marvelous, 'S Gershwin 1972 TV Movie Herself
This Is Your Life 1971 TV Series Herself
The Jonathan Winters Show 1969 TV Series Herself - Musician
The 23rd Annual Tony Awards 1969 TV Special Herself - Presenter: Best Director for a Musical Play
The Carol Burnett Show 1969 TV Series Herself
The Match Game 1965-1969 TV Series Herself - Team Captain
The Dean Martin Show 1965-1968 TV Series Herself
The Hollywood Palace 1966-1968 TV Series Herself - Singer
The Ed Sullivan Show 1955-1968 TV Series Herself - Singer / Herself / Herself - Guest Host
Personality 1968 TV Series Herself
The Joey Bishop Show 1967-1968 TV Series Herself
Around the World of Mike Todd 1967 TV Movie documentary Herself
Gypsy 1967 TV Series Herself
Hollywood Talent Scouts 1966 TV Series Herself
An Evening with Ethel Merman 1965 TV Movie documentary Herself
I've Got a Secret 1965 TV Series Herself - Celebrity Guest
What's My Line? 1963-1965 TV Series Herself - Mystery Guest
The 19th Annual Tony Awards 1965 TV Special Herself - Presenter
On Broadway Tonight 1965 TV Series Herself
The Jack Paar Program 1964 TV Series Herself - Guest
Val Parnell's Sunday Night at the London Palladium 1964 TV Series Herself - Top of the Bill
The Lucy Show 1964 TV Series Herself
The Bell Telephone Hour 1960-1964 TV Series Herself - Hostess / Herself - Singer
The Judy Garland Show 1963-1964 TV Series Herself
The Jerry Lewis Show 1963 TV Series Herself
Perry Como's Kraft Music Hall 1957-1963 TV Series Herself - Guest / Herself
The Bob Hope Show 1962 TV Series Herself
The Arthur Murray Party 1960 TV Series Herself
The Arthur Murray Special for Bob Hope 1960 TV Movie Herself
Startime 1959-1960 TV Series Herself
The Eddie Fisher Show 1958 TV Series Herself
The Dinah Shore Chevy Show 1958 TV Series Herself / Herself - Guest Hostess
The Frank Sinatra Show 1958 TV Series Herself
The DuPont Show of the Month 1957 TV Series Herself
Max Liebman Spectaculars 1956 TV Series Herself
Person to Person 1955 TV Series documentary Herself
Shower of Stars 1955 TV Series Herself - Vocalist / Herself - Guest Vocalist
The Colgate Comedy Hour 1953-1954 TV Series Herself / Herself - Singer
The Ford 50th Anniversary Show 1953 TV Movie Herself
This Is Show Business 1950 TV Series Herself
Inside U.S.A. with Chevrolet 1949 TV Series Herself
Texaco Star Theatre 1949 TV Series Herself - Singer
Song Shopping 1933 Short Herself
Time on My Hands 1932 Short Herself
You Try Somebody Else 1932 Short Herself
Let Me Call You Sweetheart 1932 Short Herself
Great Broadway Musical Moments from the Ed Sullivan Show 2015 TV Movie documentary Herself - Interviewee
Great Performances 1981-1985 TV Series Herself
Texaco Star Theater: Opening Night 1983 TV Movie Herself
The Royal Variety Performance 1982 1982 TV Movie Herself
The Merv Griffin Show 1978-1982 TV Series Herself - Guest / Herself
Night of 100 Stars 1982 TV Special Herself
Broadway! A Special Salute 1982 TV Movie Herself
The First 100 Years of Recorded Music 1981 TV Special Herself
All-Star Inaugural Gala 1981 TV Movie Herself
Hee Haw 1980 TV Series Herself
All-Star Family Feud Special 1980 TV Series Herself - Celebrity Contestant
Musical Comedy Tonight 1979 TV Movie documentary Herself
Good Morning America 1979 TV Series Herself
The Muppets Go Hollywood 1979 TV Special Herself (uncredited)
The Tonight Show Starring Johnny Carson 1965-1979 TV Series Herself - Guest / Herself
A Special Sesame Street Christmas 1978 TV Movie Herself
A Salute to American Imagination 1978 TV Movie documentary Herself
The Mike Douglas Show 1970-1978 TV Series Herself - Vocalist / Actress / Herself / ...
The People's Command Performance 1978 TV Special Herself
Super Night at Forest Hills 1977 TV Special Herself
Steve & Eydie: From This Moment On... Cole Porter 1977 TV Movie Herself
The Muppet Show 1977 TV Series Herself - Special Guest Star
The David Steinberg Show 1977 TV Series Herself
Sha Na Na 1977 TV Series Herself
The 1976 Annual Entertainment Hall of Fame Awards 1976 TV Special Herself
Match Game 73 1975-1976 TV Series Herself - Panelist
The Hollywood Squares 1975-1976 TV Series Herself - Panelist
Dinah! 1975-1976 TV Series Herself / Herself - Guest

Archive Footage

Archive Footage

TitleYearStatusCharacter
Welcome to the Basement 2015 TV Series Herself
Sinatra: All or Nothing at All 2015 TV Mini-Series documentary Herself
The O'Reilly Factor 2008-2014 TV Series Mrs. Marcus / Herself
Michael Grade's Stars of the Musical Theatre 2014 TV Movie documentary
Six by Sondheim 2013 TV Movie documentary Herself
The Joy of Disco 2012 TV Movie documentary Herself
Michael Feinstein's American Songbook 2010 TV Mini-Series documentary Herself
Edición Especial Coleccionista 2010 TV Series Mrs. Marcus
Johnny Mercer: The Dream's on Me 2009 TV Movie documentary Herself
Hollywood Singing and Dancing: A Musical History - The 1930s: Dancing Away the Great Depression 2009 Video documentary Herself
American Masters 1990-2009 TV Series documentary Herself
Wrangler: Anatomy of an Icon 2008 Documentary Herself
The Best of the Royal Variety 2006 TV Series Herself
The Delegate 2006 Documentary short Herself
American Experience 2006 TV Series documentary Annie Oakley in 'Annie Get Your Gun' (stage version)
Great Performances 1985-2005 TV Series Herself / Herself - Performer
Cinerama Adventure 2002 Documentary Mrs. Marcus (uncredited)
Biography 1999-2001 TV Series documentary Herself
Walk on By: The Story of Popular Song 2001 TV Series documentary Herself
ABC 2000: The Millennium 1999 TV Movie documentary
Television: The First Fifty Years 1999 Video documentary Herself
Hidden Hollywood: Treasures from the 20th Century Fox Film Vaults 1997 TV Movie documentary Herself
Betty Boop: Queen of the Cartoons 1995 Documentary Herself
The Carol Burnett Show: A Reunion 1993 TV Movie documentary Herself
The First Annual Comedy Hall of Fame 1993 TV Movie Herself
Something a Little Less Serious: A Tribute to 'It's a Mad Mad Mad Mad World' 1991 TV Movie documentary Mrs. Marcus (uncredited)
Frank Sinatra: The Voice of Our Time 1990 TV Movie documentary Herself
The Muppets: A Celebration of 30 Years 1986 TV Movie Herself
Muppet Video: Muppet Treasures 1985 Video Herself
Of Muppets and Men: The Making of 'The Muppet Show' 1981 TV Movie documentary Herself
Brother Can You Spare a Dime 1975 Documentary Herself
Fred Astaire Salutes the Fox Musicals 1974 TV Movie Herself
The Hollywood Palace 1970 TV Series Herself
Marilyn 1963 Documentary Herself (scene from "There's No Business Like Show Business") (uncredited)
The Ed Sullivan Show 1953-1954 TV Series Herself

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
1966 Woman of the Year Hasty Pudding Theatricals, USA
1960 Star on the Walk of Fame Walk of Fame Motion Picture On 8 February 1960. At 7044 Hollywood Blvd.
1960 Star on the Walk of Fame Walk of Fame Recording On 8 February 1960. At 1751 Vine Street.
1954 Golden Globe Golden Globes, USA Best Actress - Comedy or Musical Call Me Madam (1953)


Looks like we don't have salary information. Sorry!


#Quote
1 Not to pat myself on the back, but when I do a show, the whole show revolves around me. And if I don't show up, they can just forget it!
2 You'll never prove you're too good for a job by not doing your best
3 Broadway has been very good to me. But then, I've been very good to Broadway.
4 I can hold a note as long as the Chase National Bank.
5 I take a breath when I have to.
6 I don't want to sound pretentious, but in a funny way I feel I'm the last of a kind. I don't mean that there aren't some girls out there somewhere who are just as talented as I was. But even if they are, where will they find the shows like Girl Crazy, Anything Goes, Annie Get Your Gun, Call Me Madam and Gypsy? They just don't produce those vehicles anymore.
7 I can never remember being afraid of an audience. If the audience could do better, they'd be up here on stage and I'd be out there watching them.
8 [on Mary Martin] She's okay, if you like talent.
9 [In 1930, on the show that made her a star, George Gershwin's "Girl Crazy"] In the second chorus of "I Got Rhythm", I held a high C note for 16 bars while the orchestra played the melodic line - a big, tooty thing - against the note. By the time I'd held that note for four bars, the audience was applauding. They applauded through the whole chorus and I did several encores. It seemed to do something to them. Not because it was sweet or beautiful, but because it was exciting. Few people have the ability to project a big note and hold it. It's not just a matter of breath; it's a matter of power in the diaphragm. I'd never trained my diaphragm, but I must have a strong one. When I finished that song, a star had been born. Me.
10 [In 1959, when she was nominated for a Tony Award for "Gypsy" but had lost to Mary Martin in "The Sound of Music"] You can't buck a nun.

#Trademark
1 Powerful belting mezzo-soprano vocal range
2 The song, sung in her inimitable way, "There's No Business Like Show Business"

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Nathan Wiley

Nathan Wiley was created in Prince Edward Isle and raised in an exceedingly supportive musical …

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