b. 26 July 1914, Birmingham, Alabama, USA, d. 11 November 1993, NJ, USA. By enough time he started playing trumpet at age 13, Hawkins experienced already perfected drums and trombone. It had been on trumpet, nevertheless, that he founded his name like a flamboyant participant with an amazing range. In the beginning an imitator of Louis Armstrong, Hawkins became innovator from the ’Bama Condition Collegians, an orchestra that he developed into a fantastic big music group. Within the 30s, Hawkins rivalled very much bigger titles in engagements all over the united states, and specifically at prestigious NY venues such as for example Roseland as well as the Savoy. He employed good section males and front-rank soloists, not really least trumpeters with whom he gladly shared the limelight. Billed because the Twentieth Hundred years Gabriel, Hawkins produced several very successful information, including ‘After Hours’ and ‘Tuxedo Junction’, the second option a structure by Hawkins and many members from the music group which became their theme tune. Hawkins continuing to business lead his big music group through the entire 40s, surviving the wintertime of 1946/7 which noticed the end of several name bands. Within the 50s he affected under economic pressure and decreased the music group in proportions, but frequently reassembled the bigger unit for unique events. Within the 60s and 70s he led little groups at NY hotels and night clubs and also produced occasional performances at celebrations, including a stop by at European countries in 1979. In 1986 he was up to speed the SS Norway for the Fifth Annual Floating Jazz Celebration. In quite similar way as his white modern Harry Adam, Hawkins been successful in combining a magnificent technique and an severe awareness of industrial needs with an innate sense once and for all jazz.