One of a lot of interesting behind-the-scenes statistics of early rock and roll & move, pianist and arranger Ernie Freeman played on numerous early rock and roll and R&B periods in the ’50s. He done schedules for the L.A. indies Area of expertise, Contemporary, and Aladdin, aswell as white performers such as for example Duane Eddy, Johnny Burnette, the Crickets, Bobby Vee, and Pal Knox; his most remarkable program appearance was most likely for the Platters’ “THE FANTASTIC Pretender,” to which he added the stuttering piano riffs. Freeman also released many instrumental information of his very own, mainly for Imperial, and generally in a universal rocked-up leap R&B type of design. “Jivin’ Around” and “Lost Dreams” had been R&B strikes for him in 1956, but he got his singular crossover pop smash using a cover of Costs Justis’ “Raunchy” in 1957, which produced number four. It had been a strange scenario: Justis’ initial hit number 2, and a pop-oriented cover by Billy Vaughan also produced number ten, resulting in an unbelievable happenstance in Dec 1957 whereby three variations of “Raunchy” had been in the very best Ten at exactly the same time. Freeman’s cover copied Justis’ pretty carefully, and wasn’t quite nearly as good; it’s more often than not Justis’ original that’s performed on oldies radio today. Freeman was struggling to make the very best 40 once again, although he previously minor strikes with “Indian Like Contact,” “Theme from ‘The Dark near the top of the Stairways,” and a cover of Chubby Checker’s “The Twist”; he also documented in the easy-listening design beneath the pseudonym Sir Chauncey, sneaking in to the bottom level of the very best 100 with “Gorgeous Obsession.” His very own profession petered out with the middle-’60s, but he caused Frank Sinatra, Dean Martin, and Sammy Davis Jr. at Reprise, so that as past due as 1970 was carrying out some string preparations on Simon and Garfunkel’s Bridge Over Stressed Water album.