Eric Alexandrakis

Eric Alexandrakis was classically trained within the piano, but finds musical influences via outdoors this genre. Given a steady diet plan of classics by his trainers, his focus required on even more of today’s leaning within the ’80s when he uncovered the melodic pop of the next British isles Invasion; he do find influence within the Beatles in the first Invasion, nonetheless it was Duran Duran, the Treat, Thomas Dolby, Depeche Setting, as well as other U.K. rings which produced an long lasting impression on him. Alexandrakis discovers his technique rooted within the managed madness of merely keying in on noises. No matter how short a sound could be; from melodies or moods, he discovers someplace to utilize them in his musical compositions with precise applications. He provides purchased albums merely to capture one minute sound found in the documenting to make use of in his very own functions. Eric Alexandrakis dual majored on the School of Miami in public areas Relations and British, and he also received a experts level in Music Business. His debut record, 9 Demos on the 4 Monitor, was a house documenting performed between August and Dec of 1997. With this discharge he caught the eye of John Taylor, previous Duran Duran bass participant, who contacted Alexandrakis with the chance to market his record on Taylor’s website, www.trustheprocess.com. He also captured the eye of an unbiased label, Critical Vanity, who released his cover edition of Arcadia’s “Election Time” on the Bangs and Noises from the ’80s compilation. His 1999 discharge, IV Catatonia, was a twenty-two-track assortment of eclectic music and noises which found root base in a robust section of his existence, an interval when he underwent chemotherapy treatment for Hodgkin’s disease. This launch was also carried out from his house four-track studio room without anyone having any understanding of his task. The recording started the week he began chemotherapy in-may 1998 and finished in the week from the last treatment in Oct of that yr. In the first section of 1999 he delivered a demo from the recording to Y&T Music, and High Ulloa, owner from the label, found the choice release a the recording. In 2000 Eric Alexandrakis was getting excited about his next task, that will be a traditional recording or another spontaneous assortment of sonic impressions.