Época de Ouro

After spending the ’50s documenting accompanied by an orchestra as well as the Regional do Canhoto, Jacob do Bandolim inserted the ’60s looking for an accompaniment formula even more suitable for his personal taste. The Época de Ouro had been his option. A local (little radio ensemble, regular from the choro and samba styles) arranged by Jacob perform Bandolim in 1961 in Rio de Janeiro (under a number of different brands), the group was made up of Dino Sete Cordas on seven-string violão (classical guitar), César Faria (the daddy of Paulinho da Viola, who followed perform Bandolim since 1939) and Carlinhos (Carlos Fernando de Carvalho Leite, delivered in 1924, Rio de Janeiro) on violõha sido, Jonas (Jonas Pereira da Silva, delivered in 1934, Rio de Janeiro/passed away in 1997, Niterói) on cavaquinho, Gilberto d’Ávila (delivered in 1915, Rio de Janeiro) on pandeiro, and Jorginho (Jorge José da Silva, delivered in 1930, Rio de Janeiro) on tempo. Through the early 1961 and 1962 recordings, these were referred to as Jacob e Seus Chorõha sido, including the particular involvement of bassist Luiz Marinho and percussionists like Clubão and Pedro dos Santos. They documented many albums for the RCA Victor label, you start with Chorinhos e Chorõha sido. In 1968, they participated in the historical show on the Teatro João Caetano, as well as Jacob perform Bandolim, Elizeth Cardoso, as well as the Zimbo Trio, that was documented live and released with the Picture and Audio Museum of Rio de Janeiro in two LPs. The LP Época de Ouro: Jacob perform Bandolim also got the participation of the orchestra. Documented in 1969, the entire year of Jacob perform Bandolim’s demise, it had been the last record with the Época de Ouro throughout that period. The group dissolved, and then end up being reassembled in 1973 by César Faria, with Damásio (Damásio Batista de Sousa Filho, delivered in 1932, Rio de Janeiro/passed away in 1993) changing Carlinhos and Déo Rian substituting perform Bandolim. The group reopened by associated Paulinho da Viola that season, documenting the LP Conjunto Época de Ouro another season for Continental, accompanied by Clube perform Choro: Conjunto Época de Ouro for the same documenting business in 1976. For the reason that 10 years, the group was extremely active, performing reside in theaters and on Television shows. In 1992, they documented Violões. Jonas still left the group in 1985, and in 1997 the development contains César Farias, Dino Sete Cordas, Toni (violão), Jorginho (pandeiro), Jorge (cavaquinho), and Ronaldo perform Bandolim (mandolin).