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Not a music group, not a female, but a one-man performing, saving, art-designing, and album-releasing (on his individual Northlore label) procedure, Elvira Madigan may be the function of Stockholm, Sweden’s Marcus Hammarström, formerly the vocalist for Andalucia and bassist with Ethonicide. Steadily conceived during his stint with these works, Elvira Madigan became possible in the entire year 2000 using the release from the conceptual Dark Arts debut and its own next-year follow-up, Witches — Salem (1692 vs. 2001). The music shown a symphonic/intensifying/black metal mix reminiscent, yet even more eclectic actually, than Dimmu Borgir and Cradle of Filth. It could take four fairly silent years for Hammarström to revisit Elvira Madigan, nevertheless, so when he do, it had been with an recording of covers known as Angelis Deamonae — Wiccan Aftermath, comprising radical reinventions of tracks by everyone through the Scorpions to Maurice Jarre to Chris de Burgh (!!!) to a set of themes from the ultimate Fantasy gaming.
