Ellen Stekert is usually something greater than a folksinger, or perhaps a folk track collector — though she’s done both of these things across a 50-plus-year career which has carried her from academia to music and again, more often than once. Given birth to in NEW YORK in 1935, she grew up in Great Throat on Long Isle, where she created a pastime in folk music (along with other hand-me-down customs involving tales and perceptions) as an adolescent. While a viewpoint main at Cornell University or college, she also became a vocalist, exploring the useful side from the music customs that she was researching, and documented an recording of folk tunes with Milt Okun for the Riverside label in 1956, entitled Traditional American Like Songs. Stekert consequently became a significant folk track collector and annotator, and it has written thoroughly on folk music and different academic topics. Stekert was also in charge of collecting traditional tunes, and the documenting of many albums constructed around them, including Tunes of a fresh York Lumberjack (1958) on Folkways Information. She served around the faculty from the University or college of Minnesota, and keeps the rank of teacher emerita.