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Elfi von Dassanowsky

Elfi von Dassanowsky, the Austrian film manufacturer, Hollywood vocal trainer, and worldwide arts expert, had a significant career being a pianist and opera singer in postwar European countries. She played a particularly prominent function in the ethnic treatment of Austria following defeat from the country’s Nazi rulers. Blessed in Vienna for an aristocratic family members, von Dassanowsky became a protégée of Emil von Sauer, a previous pupil of Franz Liszt and Anton Rubinstein. With von Sauer’s support, she became the youngest feminine ever accepted to Vienna’s Hochschule für Musik und Darstellende Kunst at age 16. There she created her soprano and mezzo soprano range and was also been trained in the Paderewski piano technique. She debuted in 1946 as Susanna in The Relationship of Figaro at St. Pölten Stadttheater. Her profession being a pianist and opera vocalist continued through the entire ’40s and ’50s, including performances as Agathe in Der Freischütz, Mimì in La bohème, and several other assignments in opera and operetta. She obtained further visibility being a broadcast announcer for the BBC and United kingdom Pushes Broadcasting in Vienna and created many command shows for the Allied Great Command word there. (Austria and Vienna, like Germany and Berlin, had been partitioned following the battle into American, United kingdom, French, and Soviet armed forces occupation areas and were therefore governed until 1955.) After these and several alternative activities in postwar ethnic diplomacy, she emigrated in the ’50s and finally settled in NY, where she carried out get better at classes in tone of voice and piano. In 1962, she and her family members moved to LA where she moved into business and became a music trainer to film stars, a profession that she started during the battle years in Vienna in colaboration with such stars as Curd Jürgens. Ladies in those days still experienced formidable barriers for the creation part of Hollywood’s film industry, nevertheless, and she was struggling to continue the pioneering part she had performed as a lady film maker in European countries. She actually is still energetic in LA as an arts advisor and a promoter of Austrian music and film tradition. (Discover her admittance in the All Film Guide.)

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