b. 17 November 1955, Clarendon, Jamaica, Western world Indies. Fitzroy, like many teens, followed the audio systems, specifically, a sound known as Anchio One. After departing school he began a career using the Jamaican Broadcasting Company functioning as an accounts clerk. Using a colleague, in his free time he would frequently sing over dubs and enjoy them back utilizing the radio train station’s products. In 1975 Mikey Dread was the train station’s top disk jockey, playing reggae on his Dread IN THE Controls Display, and he noticed Fitzroy’s demos. Fitzroy’s 1st strike, ‘Miss Molly Colly’, broke in to the Jamaican Top 10 because the consequence of Dread’s patronage, as well as the follow-up, ‘Nation Man’, verified him as Dread’s protégé. The strikes kept arriving, including ‘African Religious beliefs’, ‘Weapon’ and ‘Stylee’, resulting in a tour of the united kingdom with Dread in 1980 assisting punk group the Clash. On time for Jamaica Fitzroy started working with additional producers, first of all Lloyd Norris, with whom he documented ‘Bad Son’, a strike when released in 1981. With Trevor Elliot of Musical Ambassador he documented an recording, and enjoyed an enormous strike with ‘Examine FOR YOU PERSONALLY Once’, accompanied by ‘Youngsters Guy In Penitentiary’ (when interviewed on the air in Jamaica, he mentioned categorically the song had not been influenced by personal encounter) and ‘Possess You Ever’. His achievement resulted in a performance in the 1984 Sunsplash Event and his dedication to equality for ladies resulted in an appearance at Zinc Fence in Kingston on International Ladies’s Day time. His dedication was obvious in the strike ‘Princess Dark’, and he was also dubbed Jamaica’s most socially mindful vocalist. His follow-up, a reworking of ‘The Weapon’, enjoyed an extended stick to the graph, breaking all earlier information for longevity. Within the group of charity information to greatly help the starving in Ethiopia, Fitzroy performed on Jamaica’s contribution, ‘Property Of Africa’. He offered the vocals alongside Gregory Isaacs, Freddie McGregor, Mutabaruka, Triston Palma, Bunny Carpets, David Hinds as well as the I-Threes. The performers involved were identified to help to ease the problem and created the Music Is definitely Life corporation to stress their commitment. Nevertheless, the single by itself was regarded with the collective as an inadequate gesture towards alleviating Africa’s problem. Fitzroy became a co-director alongside Rita Marley, Judy Mowatt, Michael ‘Ibo’ Cooper and Orville Tyson, and between them, they set up various other tasks. His recordings and Music Is normally Life commitments had been performed alongside his profession at JBC.