An excellent journeyman saxophonist and arranger, Eddie Barefield by no means gained much popularity but he previously a productive 60-yr career. Barefield found musical maturity within the 1930s, using Bernie Youthful (1930) in Chicago and with Bennie Moten (1932), Zack Whyte (1933), the McKinney’s Natural cotton Pickers (1933), Cab Calloway (1933-1936), Les Hite (1937), Fletcher Henderson (1938), and Don Redman (1938). Barefield documented with many orchestras, especially those of Moten, Calloway, and Henderson. He provided arrangements through the golf swing era to many top big rings (including Calloway, Glenn Miller, Benny Goodman, and Jimmy Dorsey), was an employee musician for ABC within the 1940s, and in addition was briefly with Benny Carter (1941), Ella Fitzgerald (1942), and Duke Ellington (1947). After using Fletcher Henderson’s last music group in 1950, Barefield mainly worked within the studios through the ’50s and on Broadway, furthermore to returning occasionally to Cab Calloway. He also used Sammy Cost (1958), Wilbur DeParis, as well as the Saints and Sinners before becoming a member of the circus music group of Ringling Brothers (1971-1982). Barefield freelanced in lots of circumstances during his last 2 decades and documented an excellent 1977 album like a innovator for Famous Door.
|1||Jazz pianist, saxophonist and arranger. In the 1930's and 40's, active with big bands as well as smaller groups. Noted tenures with Fletcher Henderson and Cab Calloway. Much theatre work during the 1950's and 60's. In the 1970's, he played regularly in the house band of Ringling Brothers, Barnum & Bailey Circus.|
|Gangsters on the Loose||1937||Saxophonist - Cotton Club Orchestra|
|The Singing Kid||1936||Cab Calloway's Tenor Saxaphonist (uncredited)|
|Alice in Wonderland||2010/I||music: "No Need To Ask Me" - uncredited|
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