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Dubravka Tomsic

Slovenia’s Dubravka Tomsic is something of the connoisseur’s pianist, not really a marquee name well known beyond classical music circles, but often listed among the best possible players on the planet by those in the find out. Only now getting popular in the Western, she was a marquee name within the previous Yugoslavia and in additional Eastern Europe. Given birth to in 1940 within the Croatian town of Dubrovnik, she offered her 1st piano recital at age group five. She was raised within the Slovenian capital of Ljubljana and analyzed in the Ljubljana Academy of Music during her child years. Her talents had been noticed by the fantastic Chilean-American pianist Claudio Arrau, who motivated her to come quickly to the U.S. to review. Therefore, when she was 12, Tomsic relocated to NY and enrolled in the Juilliard College, where her main instructor was Katherine Bacon. The teenaged pianist offered recitals around NY, including one in Carnegie Hall that drawn the eye of Artur Rubinstein. Tomsic analyzed for just two years with Rubinstein, and he known as her “an ideal and wonderful pianist.” She graduated from Juilliard with two particular awards, where time she got an appearance with the brand new York Philharmonic under her belt. After these high-flying origins, however, Tomsic thought we would return house to Ljubljana. Through the late 1950s before past due 1980s she taught on the Ljubljana Academy of Music (where she actually is still a teacher), raised a family group, and built a significant popularity in southeastern European countries. Her go back to the U.S. limelight emerged in 1989 with an acclaimed efficiency on the Newport Music Festival in Rhode Isle, and since that time she has performed recitals in over twelve U.S. metropolitan areas (often locating herself instantly asked back again afterward) and around Europe. She’s also produced concerto performances with orchestras and performed at many main music celebrations. Since 1987 she’s released over 60 recordings, including a lot of the main Intimate concertos and single piano music from Bach and Scarlatti to Debussy and Rachmaninov. On the key pad, Tomsic’s reserved demeanor belies the expressivity of her playing. Noted for all of the tone shades she can coax through the piano as well as for the energy and smoothness of her trills, Tomsic provided performances that frequently evoked the adjective “smooth.” Her “amazing technique,” observed the Boston Phoenix following a Tomsic concert that finally finished after five encores, “can be never a finish but a way of achieving psychological directness and poetic insinuation.”

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