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Douglas Williams

Among American culture’s good kept secrets, Memphis clarinetist Douglas Williams made several dozen information for the Victor label through the years 1928-1930 and promptly disappeared from your collective radar of jazz for 70 years. In 2000, Jazz Oracle spilled the coffee beans by exposing his existence towards the world having a superbly wrought assortment of his total documented works. Active mainly because a specialist musician prior to the 1920s, he constructed the “Hooking Cow Blues,” that was documented by W.C. Handy’s Orchestra of Memphis in 1917. Williams sounded nearly the same as Johnny Dodds, but specific in the low register from the device, and constructed almost all of his very own material. He documented being a duo with pianist Edgar Dark brown and using a trio that steadily extended into quartets and quintets offering his sibling, Nathaniel Williams, on cornet. Some of his information included vaudeville blues performers Thelma Lee and Alfoncy and Bethenea Harris; four edges also acquired vocals by his guitarist Melvin “Mel” Parker. Furthermore to Dodds, Williams is now able to be looked at in the same early clarinet caucus as Bob Fuller, Jimmy O’Bryant, Artie Starks, Fess Williams, and Wilton Crawley, with an natural dignity that suggests an in depth affinity using the youthful Buster Bailey, another great clarinetist from Memphis.

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