Dorothy LaBostrie towers being among the most prolific and well-known songwriters to emerge from the brand new Orleans R&B community, authoring classics including Small Richard’s “Tutti Frutti,” Johnny Adams’ “I WILL NOT Cry,” and Irma Thomas’ “(YOU COULD HAVE MY HUBBY, But Please make sure to) Don’t WRECK HAVOC ON My Man.” Relating to Jeff Hannusch’s publication I Listen to You Knockin’, she was created May 18, 1938, in Rayland, KY, and elevated in Portable, AL, relocating to New Orleans at 13 to search out her father’s Creole origins. While working like a home and waitress, LaBostrie frequented the blues bones along Rampart Road — in her extra hours, she also had written poetry. Soon after Niche Records signed Small Richard and he found its way to New Orleans in middle-1955 to record at maker Cosimo Matassa’s now-legendary studio room, regional radio broadcast the news headlines that Niche maker Bumps Blackwell was looking for songwriters. LaBostrie went to Matassa’s studio the very next day, and after hearing Richard sing, she stated she had written “Tutti Frutti” in about quarter-hour, although accounts from the song’s roots vary greatly. However among the really landmark information in the annals of rock and roll & move, “Tutti Frutti” released Richard in to the stratosphere but do small for LaBostrie’s profession for a while — Niche offered a special agreement she refused to indication, as well as the label bought only one even more of her tracks, Li’l Millet’s “Affluent Female.” She following got with Joe Ruffino’s regional brands Ric and Ron; while in her house focusing on the damaging “I WILL NOT Cry,” from down the hall LaBostrie noticed neighbor Johnny Adams performing gospel. She asked him to execute several lines of “I WILL NOT Cry,” declaring the roofer ideal for the melody and convincing Ruffino to indication him to a documenting offer. She also released the profession of Irma Thomas, furthermore tapping the 18-year-old perfect for the saucy “Don’t WRECK HAVOC ON My Guy.” But LaBostrie’s romantic relationship with Ruffino shortly strike the skids amidst promises she hardly ever received anything at all for just about any of her strikes for the label, and she after that agreed upon with Matassa’s Light Cliffs Publishing, composing hundreds of music over another many years. Many had been recorded, but non-e of them appreciated the commercial achievement or durability of her prior initiatives. In 1970, LaBostrie was harmed in a vehicle accident, and following loss of life of her mom she relocated to NEW YORK, effectively stopping the music business. Although she continuing composing, her late-period materials focused almost solely on the cathedral.