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Dorothea Röschmann

Dorothea Röschmann is a German soprano that has been establishing a well known profession in Germany and abroad because the mid 1990s. She undertook vocal research in the Hamburg Musikhoschschule, after that studied in the Akademie für Alte Musik in Bremen. She journeyed to NY and LA to attend expert classes, as well as for completing touches researched in London in 1992 with Vera Rozsa. She joined up with the company from the Staatsoper Unter den Linden Berlin. There she’s sung, among additional tasks, Pamina in Die Zauberflöte, Ännchen in Der Freischütz with Zubin Mehta performing, Nanetta in Verdi’s Falstaff with Claudio Abbado, Cupido in Semele under René Jacobs, and Elmira in Keiser’s Croesus, once again with Jacobs within the podium. She debuted in the Salzburg Event as Susanna in a fresh creation of Mozart’s Relationship of Figaro in 1995, a portrayal she was asked to do it again there in 1996 and 1998. Her 1997 appearance at Salzburg was as Servilia in La Clemenza di Tito, and in 1999 she sang Pamina in The Magic Flute under Christoph von Dohnányi. Also in 1995, she produced her 1st appearance like a visitor artist using the Bavarian Condition Opera in Munich with the Munich Opera Event, performing Ännchen, Susanna, and Zerlina in Don Giovanni, Drusilla in Monteverdi’s L’incoronazione di Poppea, and Marzelline in Beethoven’s Fidelio. She debuted at La Monnaie of Brussels as Norina in Donizetti’s Don Pasquale. At her house base in the Unter den Linden theatre, in the meantime, she was planned to sing leading tasks in an essential production from the Mozart-Da Ponte operatic routine, repeating the tasks of Susanna and Zerlina, so that as Despina in Così lover tutte. In the brand new hundred years, she was planned to sing Almirena in a fresh creation of Handel’s Rinaldo in the Munich Opera Event in 2000 and Pamina in the Country wide Opéra of Paris; in 2001 to sing Nanetta in the Salzburg Easter Event under Claudio Abbado, and Ann Trulove in Stravinsky’s The Rake’s Improvement in 2002 in a fresh production in the Munich Event. In the same yr, she was planned to create her debut using the Chicago Lyric Opera as Pamina. She also regularly sings on main concert phases. Her American concert debut was using the Chicago Symphony Orchestra under Daniel Barenboim in 1999 in Brahms’ A German Requiem, also showing up in the same use Barenboim for the reason that year’s Berlin Celebration Days. She’s also worked in collaboration with Harnoncourt, Mehta, Thomas Hengelbrock, Philippe Herreweghe, Jacobs, Charles Mackerras, and Antonio Pappano, and was planned to sing in collaboration with the London Symphony, the Royal Concertgebouw in Amsterdam as well as the Vienna Philharmonic. She actually is an avid melody recitalist, and therefore as seen the levels of New York’s Lincoln Middle as well as the Munich Opera Celebration. Her recordings add a Handel’s Messiah with Paul McCreesh on Deutsche Grammophon, Puccini’s Sour Angelica under Antonio Pappano, so that as Orasia in Telemann’s Orpheus under René Jacobs, a documenting that has gained prestigious documenting awards.

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