Dominique Répécaud

French guitarist Dominique Répécaud is recognized as very much for his involvement to free-rock organizations Soixante Étages and Étage 34 for his participation in the influential avant-garde music event Musique Actions in Vandoeuvre-les-Nancy (France). His profession consists of brief episodes of general public activity interspersed with very long periods of hearing, composing (in Revue & Corrigée, although under a nom de plume), and working the indie label 33revpermi. If his electric guitar playing (noisy, raucous, free-form but certainly rooted in rock and roll like Thurston Moore) provides inspired several followers, he includes a larger influence as an advocate of innovative music. Répécaud place his initial rock group jointly in 1967, at age 12. He thought we would play your guitar because it may be the instrument of most true rock and roll legends. He discovered by himself. He spent a lot of the 1970s playing in CCB, an organization that still left no recordings. Throughout that period he listens a lot more than he has. The concert events of Ruler Crimson, Magma, Can, and Henry Cow planted in his mind’s eye a conception of what free of charge rock could possibly be. As well as Jean-François Nodot he produced Soixante Étages in 1983 to explore this conception. Jacques Debout, Daniel Koskowitz, and François Dietz are among the standard participants to the collective. The group rehearsed in the cellar of the Center Culturel André Malraux (CCAM) in Nancy. Répécaud instantly joins several avant-garde music fans that are creating a plan of “songs” concerts for the guts. The initial Musique Action celebration (initially named Musique Actions International or MAI, for the month of Might) occurred in-may that season. Répécaud got employment at the guts in 1986 where he still functions. Ignoring several home-made tapes, the group’s initial record was the 1990 LP Heatproof Cauldrons for Wanglers. Its discharge proclaimed the inception from the label 33revpermi, still energetic today. Soixante Étages continued to be intermittently energetic before end from the 1990s, of which point the machine Étage 34 (Répécaud, Koskowitz, and Olivier Paquotte), released in 1993, required over. Spin-off organizations and collaborations multiplied, including Idiome 1238 as well as the trio Le Complexe de la Viande (with poet Serge Pey and theremin virtuoso Laurent Dailleau). In the mean time the guitarist got involved with outside projects, carrying out on albums by Pascal Comelade, Dominique Regef, and Dominique Grimaud and playing free of charge improv in your guitar quartet Misère et Cordes. He released his 1st solo Compact disc Ana Ban, a assortment of duets, in 2000.