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Domingo Cura

When Domingo Cura settled straight down in Buenos Aires at a age, the artist started being captivated simply by Latin rhythms, jazz, and traditional local music. During his initial years being a percussionist, the musician got the chance to function along with prominent regional acts, such as for example Gato Barbieri and Mercedes Sosa. It had been in the 1960s when Domingo Cura became a member of Ariel Memoryírez, working jointly for quite some time, including 1964’s Misa Criolla efficiency, perhaps one of the most acclaimed bits of Argentinean folklore. In 1970, Domingo Cura documented Tiempo de Percusión, released by 3rd party label Prodisa and accompanied by a self-titled record in 1971.

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