A composer who was simply quite familiar to Mozart’s operatic viewers, Domenico Cimarosa was the prolific creator of over 60 operas. He was the boy of an unhealthy bricklayer, from the working-class family members. He researched music on the Conservatorio Santa Maria di Loreto from 1761 until 1772. Among his instructors was the well-known Piccinni, the rival of Gluck in France. His initial opera was Le stravaganza del conte. It premiered in Naples in 1772, and its own success was so that it brought Cimarosa instant reputation. Cimarosa spent another many years in Rome and Naples, and constructed over twenty operas for both of these metropolitan areas. His operas had been performed internationally in Paris, Vienna, Dresden, and London. In 1787, Catherine II asked him to St. Petersburg. During his stay static in Russia, Cimarosa continuing to compose at a prodigious price. La Cleopatra and La vergine del singular are two functions which were staged in 1788. Subsequently, Leopold II of Austria involved him as courtroom Kapellmeister in Vienna, to fill up the positioning vacated by Salieri. Among Cimarosa’s biggest successes was staged in Vienna. Il matrimonio segreto, a wonderful comic opera filled with invention and wit, hugely satisfied the Emperor. He provided the entire ensemble supper, and got them perform the complete opera once again that same night time. Although missing Mozart’s depth, Cimarosa’s music will involve some of Mozart’s characteristics — specifically, something special for the comic, buffo design. After the loss of life from the Emperor, Salieri was reappointed Kapellmeister, and Cimarosa premiered. He still left Vienna and came back to Naples where he moved into the service from the Ruler. He was hailed in Naples as an excellent operatic hero, and his Il matrimonio segreto was performed 57 moments running. Nevertheless, Cimarosa’s last years had been designated by misfortune. When the French Republican military marched into Naples, Cimarosa enthusiastically announced his support from the trend. He was instantly thrown into jail and condemned to loss of life. The Ruler ultimately released him, but banished him from Naples. Broken in soul, Cimarosa attemptedto go back to Russia, but passed away in Venice in 1801. Due to gossips that he was poisoned, the federal government was obliged to execute an autopsy. Furthermore to operas, Cimarosa left out oratorios, people, and cantatas, plus some instrumental music.