Dink Johnson was nothing at all if not versatile, as you can judge from your three devices that he played. Johnson began employed in New Orleans like a pianist in Storyville. He traveled to LA where he was a drummer for Expenses Johnson’s Creole Music group in 1913. Johnson freelanced, performed drums during Jelly Move Morton’s stay static in California, and in 1922, documented with Child Ory’s music group (Spikes’ Seven Pods of Pepper), on clarinet! Johnson spent a lot of his profession in California, leading the Five Hounds of Jazz (later on renamed the LA Six) and mostly working like a single pianist. Although he went his own cafe in LA, he remained energetic as a new player into the past due ’40s. Johnson was very much better-known locally after that he was nationally, carrying out within an early design that dropped between stride and ragtime. He documented fairly thoroughly (mostly like a pianist) for American Music during 1946-1947, Euphonic (1948), and Nola (1950).