Dick Lucas

Seldom gaining the identification as a forward thinking, intelligent singer/songwriter with a solid social conscience that his work deserves, Dick Lucas started his career simply because an adolescent in anarcho-punks the Subhumans in the first ’80s. In this preliminary period, it became apparent that his lyrics and musical ambitions extended beyond the most common punk rut. The 1983 mini-album Period Flies…But Aeroplanes Crash included the melancholy “Susan,” a moving story of a gal resorting to suicide to be able to get away the limitations of conventional lifestyle. It had been something a lot of the Subhumans’ contemporaries could not have imagined attempting. Along with his have record label — Bluurg — right now established within the choice scene, Lucas shifted towards the upbeat tempo of ska, blended with reggae referrals and punk politics. The automobile because of this was Tradition Shock, arguably probably the most interesting and enjoyable underground band from the past due ’80s, providing pleasant relief from the most common uniformity and drabness of so-called “politics punk”. With Tradition Shock, Lucas created three good albums, the very best which was definitely Onwards & Upwards. Upon this superb collection, listeners had been treated to lyrics on personal, psychological, and socio-political topics without ever devolving into bare rhetoric or personal deification. The stand-out paths, “YOU AREN’T Only” and “Don’t Be concerned ABOUT ANY OF IT,” showed a fantastic gift for experiencing the thoughts of isolated youthful listeners, marking Lucas like a Morrissey for the “crusty” era. Lucas made a decision to begin the ’90s with a fresh project, called Citizen Seafood, embracing his beliefs that anarchists and libertarians are free-flowing souls stuck by the guidelines of civilization. Free of charge Souls inside a Trapped Environment verified this position, as Lucas battled with the issue of expressing solid political views within an interesting way without shedding the fun when you are as well rhetorical or burying this is with flippancy. Much dosage of thrashing guitars/drums, offset by rootsy ska/dance shades, became the perfect alternative. The lyrics, obviously, had been as astute as ever: “Merely to understand that every along must balance in some way/And there’s a smile to get rid of a discussion that was filled with frowns/And right here’s a significant chord to lift the minors up and dance around/And if the melody seems much too lengthy then listen in to some other sound.” Wider When compared to a Postcard continuing the public theory and skanky music, as the music press, every time they deigned to really reveal them, compared Resident Fish using the much-vaunted Manic Road Preachers: “they are the real Era Terrorists!”