Home / Biography / Diana Braithwaite

Diana Braithwaite

Diana Braithwaite can be an authentic vocalist that has surfaced within the 2000s as not just a fine contemporary feminine vocalist, but among hardly any Canadian based blues females. Born right into a musical family members in Toronto, Ontario, Canada, Braithwaite’s family members from her moms side found its way to the north nation through the southern USA via the underground railroad. Her dad was created Montreal, and experienced discrimination and problems finding the sort of function he desired, ultimately riding his bike collecting scrap steel, before the family members was presented with an acre of rocky property to farm within the Glenallen region. She gravitated to performing by hearing acoustic, Delta design blues or nation & traditional western recordings. Her initial group knowledge was with brothers Victor and Cecil and sister Charlane’s music group, while a breakaway single career came into being in her teenage years. Starting for John Lee Hooker on the Brunswick Home in Toronto using the Chaser Blues Music group, Braithwaite released her skill as a specialist blues vocalist. Down the road, Albert Collins asked Braithwaite on the highway being a warm-up work for his music group, then she implemented up with collaborations including guitarists Mel Dark brown and Jeff Healey, and Eddy Clearwater, T-Model Ford, Robert Cray, Tracy Chapman, Big Costs Morganfield, Pinetop Perkins, and Pal Man. In 1999, Braithwaite was selected by Sarah McLachlan to open up the Canadian edition of Lilith Good. As a single artist, she documented the record Carry My Name, and teamed with guitarist/cornetist/harmonicist Chris Whiteley to create the acclaimed duet CDs Morning hours Sunlight (2007) and Evening Parrot Blues (2009,) both for the Electro-Fi label, tributes to classic rural acoustic blues music from the 1930s and ’40s. She actually is a receiver of the African-American LADIES IN The Arts Prize in Chicago, IL, while her first blues tracks “MISFORTUNE Man” and “Blame It for the Bourbon” had been featured for the soundtrack for the Gemini-award earning film Gracie, which received the Yorkton Golden Sheaf Prize for Greatest Musical Score.

Check Also

Paved in Skin

Paved in Epidermis features the task of producer John Bergin, who synthesizes electronica and industrial …

Leave a Reply

Your email address will not be published.