b. Dennis Pratt, 2 November 1897, Coventry, Britain, d. 21 Might 1971, NY, USA. An acting professional and vocalist who enjoyed substantial success in america through the 20s and 30s, Ruler began his profession, like so numerous others, using the Birmingham Repertory Theater Business. After touring in the united kingdom provinces, he produced his Western End debut in Frederick Lonsdale’s passionate opera, Monsieur Beaucaire (1919, as Townbrake), and shifted to the united states two years later on. His 1st few looks on Broadway had been in right plays, however in 1924 he performed hair trapper Jim Kenyon, opposing Mary Ellis, in Rose Marie (‘Indian Like Call’, title music). His following display, The Vagabond Ruler (1925, François Villon), once more with Rudolph Friml’s marvelous melodies (‘Just A Rose’, ‘Some Time’), produced him a superstar overnight. Ruler’s documenting of another from the present’s quantities, ‘Song FROM THE Vagabonds’, which he was followed by Rosario Bourdon’s Orchestra, climbed saturated in the united states bestsellers. He reprised his function as Villon, co-starred with Jeanette MacDonald, in the first talkie version from the Vagabond Ruler in 1930. Ruler starred in both Broadway (1928) and London (1930) productions of his third Friml present, The Three Musketeers (D’Artagnan), before showing up as Gaylord Ravenal contrary Norma Terris (Magnolia) in the 1932 revival of Present Boat. In the next calendar year he was back again on the Western world End stage, as Peter Mali, an professional masquerading being a prince, in C. Stafford Dickens’ short-lived musical love, Command Performance. At this time, Ruler began to spend himself towards the direct theatre, although do come in two even more Broadway musicals through the 30s – a staging of Franz Lehár’s 1928 Berlin strike, Frederike (1937, the poet Goethe) and I Wedded An Angel (1938, Count number Willi Palaffi). His following function in the reputable theatre was frequently extremely amazing, with starring assignments in plays like a Doll’s Home (1937), The Three Sisters (1942), The Searching Blowing wind (1944), Medea (1947, overtaking from John Gielgud), The Devil’s Disciple (1950), Billy Budd (1951), Lunatics And Fans (1954), andPhoto Finish (1963). He do go back to the musical theatre in the 50s for a short revival of Music In The Surroundings (1951, Bruno), and an ever briefer (significantly less than three weeks) outing for the musicalization of Adam Hilton’s famous book, Shed Horizon, tantalizingly retitled Shangri-la (1956, Hugh Conway). Ruler was also completely popular on radio, especially through the 30s, and graduated to tv programmes such as for example Twelfth Night time (1957), via many late 40s visitor spots for the Philco Tv Playhouse, Alfred Hitchcock Presents, as well as the Alcoa Hour. For the silver screen he sang ‘Nichavo’ in the all-star Paramount On Parade (1930), and was without doubt amused and bemused along with his participation in Fra Diavolo (1933, aka The Devil’s Sibling), a Laurel And Hardy automobile, modified from Daniel Auber’s 1830 operetta. Dennis Ruler’s boy, John Michael Ruler, produced his Broadway debut within the last from the Arthur Schwartz and Howard Dietz’s acclaimed NY revues, Inside U.S.A (1948), then took small or chorus parts in musicals such as for example Courtin’ Period (1951), Me personally And Juliet (1953), Strike The Path (1954), and Ankles Aweigh (1955). In 1956 he developed his first main function, Freddy Eynsford-Hill, in my own Fair Female (1956), where he presented the ‘shamelessly intimate’ ‘On THE ROAD Where You Live’. He was also in the 1977 Broadway revival from the Ruler And I (Sir Edward Ramsay) and performed GI Carlton Smith in the Alan Jay Lerner – Joseph Stein – Burton Street musical Carmelina (1979). Afterwards in his profession he appeared often on tv, and toured.